ADGCF Bass Electric Tuner
ADGCF A Standard - Bass Electric tuning, chords & scales
This 'A standard' tuning for the 5-string Bass Electric truly lives up to its description of going "another step deeper into the abyss." It shifts the entire instrument's register downwards, offering a profoundly heavy and resonant foundation ideal for genres demanding extreme low-end power and a dark, imposing sonic landscape. This tuning maintains the familiar interval structure of a standard bass, making it easy for bassists to adapt their existing knowledge to its deeper range.
Verbal Analysis
The 'A standard' tuning is all about immense weight and sonic depth. With the lowest string tuned to A0, your bass will produce a subterranean rumble that can shake the foundations, perfect for genres like doom metal, sludge metal, progressive rock, or any style where a thick, enveloping bass tone is paramount. It creates a darker, more menacing sonic texture compared to a standard B-E-A-D-G tuning. Despite its extreme low pitch, the consistent perfect fourth intervals between strings preserve the familiar playability of a standard bass, allowing for seamless translation of existing scale shapes, arpeggios, and riff patterns, just at a significantly lower frequency. This tuning encourages a heavy, sustained approach, emphasizing fundamental notes and powerful root-fifth patterns.
Technical Analysis
The 'A standard' tuning for a 5-string Bass Electric is precisely configured as A0-D1-G1-C2-F2, from the lowest (thickest) to the highest (thinnest) string. This is an all-fourths tuning, meaning each string is tuned a perfect fourth (5 semitones) above the preceding one. This interval structure is identical to that of a standard 5-string bass (B0-E1-A1-D2-G2), but the entire tuning is transposed down a full step (two semitones). This consistent interval pattern is highly advantageous for bass players, as it allows for uniform finger patterns and easy navigation across the fretboard. The extremely low A0 note significantly extends the bass's lower range, providing exceptional depth, resonance, and a powerful, fundamental presence in a mix.
Open Chords & Harmonies
Due to the all-fourths tuning, open strings alone do not form conventional major or minor triads. However, this structure is perfectly suited for constructing powerful two-note chords (power chords, or root-fifth/root-octave shapes) by fretting across adjacent strings. For example, a root note on the lowest string can easily be paired with its perfect fifth on the string above (e.g., fretting a B on A0 and an F# on D1 to form a B5 power chord). The consistency of the intervals makes these shapes easily movable across the fretboard. The deep register naturally amplifies the impact of fundamental notes and these foundational intervals, making them incredibly impactful in a band context.
How to Tune
To achieve the described 'A standard' tuning (A0-D1-G1-C2-F2) for your 5-string Bass Electric, you will need to adjust your strings significantly. The provided tuning instructions indicate a substantial reduction of 4 semitones for each string from a typical standard 5-string bass setup (B0-E1-A1-D2-G2). Please be aware that tuning down by 4 semitones is a very significant change for each string. It is strongly advised to consider using a heavier gauge of strings than standard to maintain proper tension, intonation, and prevent excessive floppiness, especially for the lowest strings. Tuning down beyond 4 semitones or up beyond 4 semitones from a string's intended pitch generally warrants a different string gauge to ensure optimal performance and avoid damage. The target notes for these movements, if starting from a standard B0-E1-A1-D2-G2 tuning, would be as follows:
- String 5 (Lowest, typically B0): Tune down 4 semitones. This movement would result in the note G#0.
- String 4 (typically E1): Tune down 4 semitones. This movement would result in the note C#1.
- String 3 (typically A1): Tune down 4 semitones. This movement would result in the note F#1.
- String 2 (typically D2): Tune down 4 semitones. This movement would result in the note A#1 (or Bb1).
- String 1 (Highest, typically G2): Tune down 4 semitones. This movement would result in the note D2.
String 5: A0 - The lowest string, anchoring this tuning to an exceptionally deep, resonant A. This note sits two semitones lower than a standard 5-string bass's B string, providing an unparalleled low-end foundation.
String 4: D1 - Tuned a perfect fourth above the lowest A, this string provides a clear and powerful harmonic interval, maintaining the bass's characteristic voice within the lower register.
String 3: G1 - Continuing the consistent perfect fourth interval upwards, this string allows for familiar finger patterns and accessible melodic movement across the fretboard.
String 2: C2 - Another perfect fourth up, this string further extends the playable range while preserving the uniform interval structure, crucial for consistent technique.
String 1: F2 - The highest string in this tuning, completing the all-fourths pattern. Even at F2, this string remains within a powerful low register, complementing the overall deep character of the 'A standard' tuning.
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Capos for ADGCF
Capo | Tuning | Name |
---|---|---|
0 | FDGCF | D Standard With Dropped F |
1 | A#D#G#C#F# | A# Standard 5-String Bass |
7 | G#D#A#FC | New Standard Tuning - Downtuned 5string Variation |
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Tuning Map
- Fret
- S9
- S8
- S7
- S6
- S5
- -13
- C
- F
- A#
- D#
- G#
- -12
- C#
- F#
- B
- E
- A
- -11
- D
- G
- C
- F
- A#
- -10
- D#
- G#
- C#
- F#
- B
- -9
- E
- A
- D
- G
- C
- -8
- F
- A#
- D#
- G#
- C#
- -7
- F#
- B
- E
- A
- D
- -6
- G
- C
- F
- A#
- D#
- -5
- G#
- C#
- F#
- B
- E
- -4
- A
- D
- G
- C
- F
- -3
- A#
- D#
- G#
- C#
- F#
- -2
- B
- E
- A
- D
- G
- -1
- C
- F
- A#
- D#
- G#
- 0
- C#
- F#
- B
- E
- A
- 1
- D
- G
- C
- F
- A#
- 2
- D#
- G#
- C#
- F#
- B
- 3
- E
- A
- D
- G
- C
- 4
- F
- A#
- D#
- G#
- C#
- 5
- F#
- B
- E
- A
- D
- 6
- G
- C
- F
- A#
- D#
- 7
- G#
- C#
- F#
- B
- E
- -4
- -4
- -4
- -4
- -4