AEAC#G#A Guitar Tuner
AEAC#G#A | AEAD♭A♭A Joyful Riot 6string - Guitar tuning, chords & scales
Joyful Riot Baritone Tuning: A Deep Dive
This is a truly unique and deeply resonant 6-string baritone tuning, specifically designed for heavy, expansive soundscapes. The extreme down-tuning across all strings, with multiple strings dropping by 5-7 semitones, establishes a massive sonic foundation perfect for the band "Joyful Riot."
Verbal Analysis
The open string voicing (A1 E2 A2 C#4 G#4 A3) creates a complex, rich harmonic tapestry. The lowest three strings (A-E-A) form a powerful, open A5 chord, delivering a thunderous base. The introduction of C# (major third) and G# (major seventh) on strings 3 and 2 suggests an A major 7th tonality, offering harmonic sophistication beyond a typical power chord tuning. This tuning is ideal for genres like progressive metal, djent, ambient rock, or any style demanding crushing lows, extended range, and intriguing harmonic possibilities. The low A (A1) provides extreme depth, while the Maj7 intervals allow for lush, open chord textures or dissonant explorations. Its baritone nature ensures a massive, authoritative voice.
Technical Analysis
The tuning features a low A on the 6th string (A1) and an A on the 1st string (A3), spanning a wide two-octave range on the A notes alone. A striking technical feature is the re-entrant nature of the tuning on the higher strings: String 1 (A3) is tuned lower than String 2 (G#4) and String 3 (C#4). This inverted pitch order will drastically alter familiar chord shapes and lead lines, opening up unconventional voicings and arpeggios, making it a very distinctive sound. The open intervals from the lowest A1 are: E2 (Perfect 5th), A2 (Octave), C#4 (Major 3rd + two octaves), G#4 (Major 7th + two octaves), and A3 (two octaves, crucially lower than C#4 and G#4).
Due to the significant down-tuning (up to 7 semitones per string), using heavier gauge strings is not just advised but essential to maintain proper string tension, intonation, and playability, especially when using a standard scale length guitar for baritone voicings. Tuning down by more than 4 semitones generally indicates that a different gauge string is advisable to ensure optimal performance and prevent potential damage to the instrument if the string tension becomes too low.
How to Tune: Joyful Riot Baritone
- String 6 (thickest): Tune to A1. This involves tuning down 7 semitones. Warning: Tuning this far down (more than 4 semitones) requires a heavy gauge string for optimal tension, tone, and intonation.
- String 5: Tune to E2. This involves tuning down 5 semitones. Warning: Tuning this far down (more than 4 semitones) requires a heavy gauge string for optimal tension, tone, and intonation.
- String 4: Tune to A2. This involves tuning down 5 semitones. Warning: Tuning this far down (more than 4 semitones) requires a heavy gauge string for optimal tension, tone, and intonation.
- String 3: Tune to C#4. This involves tuning down 6 semitones. Warning: Tuning this far down (more than 4 semitones) requires a heavy gauge string for optimal tension, tone, and intonation.
- String 2: Tune to G#4. This involves tuning down 3 semitones.
- String 1 (thinnest): Tune to A3. This involves tuning down 7 semitones. Warning: Tuning this far down (more than 4 semitones) requires a heavy gauge string for optimal tension, tone, and intonation.
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Capos for AEAC#G#A
Capo | Tuning | Name |
---|---|---|
0 | AEAC#G#A | Joyful Riot 6string |
3 | CGCEBC | C Majestic Tuning |
4 | C#G#C#FCC# | Stangl's Ascent C# |
5 | DADF#C#D | Open Scruff |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -7
- -5
- -5
- -6
- -3
- -7