AEBF# Ukulele Tuner
AEBF# | AEBG♭ A2 Fifth - Ukulele tuning, chords & scales
Ukulele Open A Fifths Tuning: A Deep Dive
This unique tuning transforms your tenor ukulele into a resonant soundscape, moving beyond traditional re-entrant or linear tunings. Named after its core intervallic structure, the 'Ukulele Open A Fifths' tuning leverages a specific Aquila string set to create a rich, expansive sound. It's an excellent choice for players looking to explore new harmonic territories, experiment with open chord voicings, or achieve a brighter, more sustaining tone.
Verbal Analysis:
The tuning establishes a strong foundation with the lower three strings (A2, E3, B3) arranged in perfect fifths. This creates a deep, resonant base, reminiscent of mandolin or violin family instruments, providing a full and sustained sonic bed. The highest string, F5#, is exceptionally bright and high, offering a shimmering, almost bell-like quality. This wide intervallic spread across the strings (especially the jump from B3 to F5#) gives the tuning an open, airy feel, allowing for clear individual notes within chords and interesting melodic lines. It’s a tuning that invites exploration, particularly for arpeggiated figures and drone-based compositions.
Technical Analysis:
The open string notes are A2, E3, B3, F5#.
- 4th String (Lowest): A2
- 3rd String: E3
- 2nd String: B3
- 1st String (Highest): F5#
The intervals between the strings are:
- A2 to E3: A Perfect Fifth (7 semitones)
- E3 to B3: A Perfect Fifth (7 semitones)
- B3 to F5#: A Compound Augmented Fourth (an octave plus an augmented fourth, or 18 semitones, assuming F5# is the intended F#). This is an extremely wide interval, creating a significant jump in pitch.
When strummed open, the notes A, E, B, F# form an A major chord with an added 9th (B) and a major 6th (F#). This results in a rich Aadd6/9 (or A6/9) voicing, with the F5# providing a very high, bright extension. This open voicing is bright, full, and has a strong sense of major tonality.
Chords and Playability:
The sequential perfect fifths on the lower three strings make power chords and root-fifth voicings incredibly accessible. Simply barring across the lower strings at any fret will immediately yield a powerful, resonant sound. For instance, barring the 2nd fret across the 4th, 3rd, and 2nd strings will give you B-F#-C#, creating a Bsus2 or a B power chord. The open Aadd6/9 provides a beautiful starting point for songs in A major. The high F5# allows for easy access to extensions for chords rooted on A, E, or B, adding color and sparkle. While standard GCEA chord shapes will need to be re-learned, the logical intervallic structure opens up new, intuitive pathways for melodic and harmonic exploration, making advanced voicings potentially simpler to discover and execute.
Current Open String Notes:
4th String (Lowest): A2
3rd String: E3
2nd String: B3
1st String (Highest): F5#
How to Tune:
To achieve the 'Ukulele Open A Fifths' tuning, follow these specific adjustments for each string. Please use a reliable tuner and proceed with care, especially for larger semitone changes.
- 4th String (Lowest): Tune to A2. This string needs to be tuned down 5 semitones. (Note: Tuning down 5 semitones is a significant adjustment. If your current string's pitch is much higher than D3, consider if a different gauge string is more suitable to avoid excessive looseness or breakage if tuning from a higher pitch.)
- 3rd String: Tune to E3. This string needs to be tuned down 3 semitones.
- 2nd String: Tune to B3. Keep as is; no change (0 semitones).
- 1st String (Highest): Tune to F5#. This string needs to be tuned up 2 semitones.
Comments - have your say on AEBF#
Capos for AEBF#
| Capo | Tuning | Name |
|---|---|---|
| 0 | AEBF# | A2 Fifth |
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Tuning Map
- Fret
- S4
- S3
- S2
- S1
- -13
- C#
- F#
- A#
- D#
- -12
- D
- G
- B
- E
- -11
- D#
- G#
- C
- F
- -10
- E
- A
- C#
- F#
- -9
- F
- A#
- D
- G
- -8
- F#
- B
- D#
- G#
- -7
- G
- C
- E
- A
- -6
- G#
- C#
- F
- A#
- -5
- A
- D
- F#
- B
- -4
- A#
- D#
- G
- C
- -3
- B
- E
- G#
- C#
- -2
- C
- F
- A
- D
- -1
- C#
- F#
- A#
- D#
- 0
- D
- G
- B
- E
- 1
- D#
- G#
- C
- F
- 2
- E
- A
- C#
- F#
- 3
- F
- A#
- D
- G
- 4
- F#
- B
- D#
- G#
- 5
- G
- C
- E
- A
- 6
- G#
- C#
- F
- A#
- 7
- A
- D
- F#
- B
- -5
- -3
- 0
- 2
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