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A#FDFA#C Guitar Tuner

A#FDFA#C | B♭FDFB♭C Bbadd9 - Guitar tuning, chords & scales

Description - Bbadd9

Gin's song use the tune Bb F D F Bb C

Tuning Analysis: Bbadd9

This unique guitar tuning, named "Bbadd9", features the open strings tuned to Bb F D F Bb C. As indicated in its description, this specific configuration is utilized for "Gin's song", suggesting a deliberate choice to achieve a particular sonic character.

Verbal Analysis

The Bbadd9 tuning immediately offers an incredibly rich, full, and resonant open chord. This makes it a fantastic choice for open-string strumming, intricate fingerstyle patterns, and creating a strong, foundational harmonic bed for songwriting. The presence of a low Bb on the 6th string, coupled with another Bb on the 2nd string, establishes a powerful root and octave that provides a deep sense of grounding. The highest string, tuned to C, adds a sparkling 9th to the Bb major triad (Bb-D-F), giving the overall sound a sophisticated and slightly modern, even ethereal, quality. This tuning naturally lends itself to atmospheric pieces, powerful ringing chords, and melodic ideas that emphasize the open string drones. Guitarists will likely find it inspiring for exploring new chord voicings and textures that feel expansive and harmonically complete.

Technical Analysis

  • Open Notes: From the lowest (6th) string to the highest (1st) string, the tuning is: Bb2, F2, D2, F3, Bb4, C4. (Note: A# is enharmonically equivalent to Bb.)
  • Chord Formation: The open strings precisely form a Bbadd9 chord (Bb-D-F-Bb-C). This means the tuning is inherently a consonant chord, providing an immediate harmonic foundation.
  • Intervals (from lowest to highest string):
    • 6th String (Bb2) to 5th String (F2): Perfect 4th (down a P4, or up a P5)
    • 5th String (F2) to 4th String (D2): Major 3rd (down)
    • 4th String (D2) to 3rd String (F3): Minor 3rd plus an octave (up)
    • 3rd String (F3) to 2nd String (Bb4): Perfect 4th plus an octave (up)
    • 2nd String (Bb4) to 1st String (C4): Whole Step (up)
  • Chord Accessibility & Playability: Since the open strings form a Bbadd9, traditional barre chord shapes can be shifted up and down the neck to easily produce other add9 chords. For example, a barre at the 2nd fret would yield a Cadd9, and at the 5th fret, an Ebadd9. The consistent presence of the F note (on the 5th and 3rd strings) and the Bb notes (on the 6th and 2nd strings) creates natural drone opportunities and allows for interesting melodic and harmonic interplay with minimal fretting.
  • String Gauge Recommendation: This tuning involves significant changes from standard EADGBe, with several strings exceeding the recommended +/- 4 semitones adjustment for a standard gauge. For the 6th string (-6 semitones), 5th string (-4 semitones), 4th string (-12 semitones, a full octave drop), and 1st string (-4 semitones), it is highly advisable to use heavier gauge strings. This will help maintain proper string tension, ensure better intonation, and prevent the strings from becoming overly floppy, especially the 4th string which requires a very substantial drop.


Notes in Bbadd9 Tuning

  • String 6: A2# (Bb2)
  • String 5: F2
  • String 4: D2
  • String 3: F3
  • String 2: A4# (Bb4)
  • String 1: C4

How to Tune to Bbadd9

To achieve the Bbadd9 tuning, you will need to adjust your standard EADGBe guitar strings as follows. Please exercise caution with these significant tuning changes, and consider the use of different string gauges where advised for optimal performance and string longevity.

  • 6th String (Low E): Tune down 6 semitones. (Note: This is a significant drop in pitch. A heavier gauge string is strongly advised to maintain playability and avoid potential string damage or floppiness.)
  • 5th String (A): Tune down 4 semitones. (Note: This is a notable drop. Consider using a heavier gauge string to maintain adequate tension.)
  • 4th String (D): Tune down 12 semitones. (Note: This is a full octave drop! A significantly heavier gauge string, possibly even a baritone string, is essential for maintaining proper tension, intonation, and avoiding extreme floppiness.)
  • 3rd String (G): Tune down 2 semitones.
  • 2nd String (B): Tune down 1 semitone.
  • 1st String (High E): Tune down 4 semitones. (Note: This is a notable drop. Consider using a heavier gauge string.)

A#
F
D
F
A#
C

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Capos for A#FDFA#C

Capo Tuning Name
0 A#FDFA#C Bbadd9

Scales for A#FDFA#C

A A# B C C# D

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