A#FDFA#D Guitar Tuner
A#FDFA#D | B♭FDFB♭D JossHerreraro - Guitar tuning, chords & scales
The "JossHerreraro" tuning, designed for the Guitar, presents a unique and deeply altered sonic landscape. The creator's stated goal was to achieve a C chord with this arrangement; however, a direct analysis of the open strings reveals a distinct open voicing centered around Bb Major. This discrepancy could lead to unexpected creative avenues or suggest a specific fretted C chord shape was intended.
Technical Analysis
This tuning deviates significantly from standard EADGBe. The open notes from the thickest (6th) to the thinnest (1st) string are:
- 6th String: A♯2 (Bb2)
- 5th String: F2
- 4th String: D3
- 3rd String: F3
- 2nd String: A♯4 (Bb4)
- 1st String: D4
When analyzed harmonically, these notes (A♯, F, D, F, A♯, D) form a Bb Major chord with an F in the bass (Bb/F). The presence of multiple octaves of Bb, D, and F across the strings creates a very full and resonant open voicing. The tuning features a low F on the 5th string, providing a strong bass foundation, and wide intervals between some strings, which can open up unique melodic and harmonic possibilities. The jump from the 3rd string F3 to the 2nd string A♯4 is particularly wide (a major 6th plus an octave), suggesting interesting chord voicings or single-note lines across these strings.
Open Chords & Harmonic Landscape
- Open Chord: The open strings naturally form a rich Bb Major chord with F in the bass (Bb/F). This provides a strong major tonality, ready for melodic exploration in the key of Bb.
- Reaching for C: While not an open C chord, moving the entire Bb/F shape up two frets (a whole step) would result in a C Major chord with G in the bass (C/G). This could be a natural and easily accessible way to achieve a C chord voicing within this tuning.
- Sonic Potential: The significant drop tunings on several strings, particularly the 6th string, will provide a very deep and powerful resonance. This tuning is well-suited for styles that benefit from a full, sustained sound, such as ambient music, drone, or heavy rock where thick, harmonically rich chords are desired. The inherent major quality could also inspire more melodic or folk-oriented compositions.
How to Tune Your Guitar to JossHerreraro
This tuning involves significant changes from standard EADGBe. Please consult a digital tuner and proceed with caution, especially for larger string movements. String gauges may need to be adjusted for optimal playability and to avoid excessive string tension or floppiness for large tuning changes.
- String 6 (Low E): From standard E2, tune down 6 semitones to A♯1 (Bb1). Warning: Tuning down 6 semitones is a very significant drop. A heavier gauge string is strongly advised to maintain proper tension and tone.
- String 5 (A): From standard A2, tune down 4 semitones to F2. Caution: Tuning down 4 semitones is a substantial drop. Consider a slightly heavier gauge string if you experience excessive floppiness or intonation issues.
- String 4 (D): Keep as is; no change from standard D3 (0 semitones).
- String 3 (G): From standard G3, tune down 2 semitones to F3.
- String 2 (B): From standard B3, tune down 1 semitone to A♯3 (Bb3).
- String 1 (High E): From standard E4, tune down 2 semitones to D4.
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Capos for A#FDFA#D
| Capo | Tuning | Name |
|---|---|---|
| 0 | A#FDFA#D | JossHerreraro |
| 1 | BF#D#F#BD# | Open B Version 2 |
| 2 | CGEGCE | Open Cmaj |
| 4 | DAF#ADF# | DMaj JossHerreraro |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -6
- -4
- 0
- -2
- -1
- -2
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