A#G#D#G#C#F#A#D# Guitar Tuner
A#G#D#G#C#F#A#D# | B♭A♭E♭A♭D♭G♭B♭E♭ Double Drop A# (8-String) - Guitar tuning, chords & scales
Tuning Analysis: Double Drop A# (8-String)
This unique 8-string guitar tuning, famously used by TiffuZeless in the provided videos (video 1, video 2), delves into exceptionally low registers, creating a sonic landscape perfect for modern heavy music genres. It combines a deep drop on the lowest string with a consistent semi-tone drop across all other strings, offering a blend of familiar fretboard patterns and extreme low-end power.
Technical Breakdown
The tuning is structured as follows, from the 8th (lowest) string to the 1st (highest):
- String 8: A#1 (A-sharp in the first octave)
- String 7: G#2 (G-sharp in the second octave)
- String 6: D#3 (D-sharp in the third octave)
- String 5: G#3 (G-sharp in the third octave)
- String 4: C#4 (C-sharp in the fourth octave)
- String 3: F#4 (F-sharp in the fourth octave)
- String 2: A#4 (A-sharp in the fourth octave)
- String 1: D#5 (D-sharp in the fifth octave)
Analyzing the intervals between adjacent open strings reveals a distinct character:
- A#1 to G#2: A wide interval, a minor 7th (10 semitones).
- G#2 to D#3: A perfect 5th (7 semitones).
- D#3 to G#3: A perfect 4th (5 semitones).
- G#3 to C#4: A perfect 4th (5 semitones).
- C#4 to F#4: A perfect 4th (5 semitones).
- F#4 to A#4: A major 3rd (4 semitones).
- A#4 to D#5: A perfect 4th (5 semitones).
This tuning predominantly features perfect 4th intervals across most of its strings, a hallmark of many modern extended range tunings, making power chords and linear melodic playing highly accessible. The perfect 5th on strings 7-6 and the major 3rd on strings 3-2 add harmonic versatility.
Verbal Analysis & Usability
The 'Double Drop A# (8-String)' is designed for extreme low-end aggression. The A#1 on the lowest string provides a gut-rumbling foundation, ideal for crushing riffs and djent-style chugging. The open strings themselves resonate with a complex, dark harmony. Played open, the notes A#1, G#2, D#3, G#3, C#4, F#4, A#4, D#5 contain the root (A#), minor third (C#), perfect fourth (D#), perfect fifth (F#), and minor seventh (G#). This forms a massive A# minor 7th chord (A#, C#, D#, F#, G#), offering a rich, dissonant, and powerful open chord voicing that can be leveraged for atmospheric textures or heavy breakdowns. Due to the consistent one-semitone drop on strings 1-7 (relative to a standard 8-string F# B E A D G B E tuning), common chord shapes and scale patterns from other drop tunings can be easily adapted by shifting them down one fret, once the initial adjustment to the A# root is made. This makes the tuning intuitive for players familiar with drop tunings, while extending the range significantly.
How to Tune
To achieve Double Drop A# (8-String) from a standard 8-string tuning (F#2 B2 E3 A3 D4 G4 B4 E5), follow these steps:
- 8th String (F#2): Tune down 8 semitones to A#1. Note: A drop of 8 semitones is substantial. For optimal tension and intonation, a significantly heavier gauge string is strongly recommended.
- 7th String (B2): Tune down 3 semitones to G#2.
- 6th String (E3): Tune down 1 semitone to D#3.
- 5th String (A3): Tune down 1 semitone to G#3.
- 4th String (D4): Tune down 1 semitone to C#4.
- 3rd String (G4): Tune down 1 semitone to F#4.
- 2nd String (B4): Tune down 1 semitone to A#4.
- 1st String (E5): Tune down 1 semitone to D#5.
Always tune carefully and ensure your instrument's neck is properly adjusted for the altered string tension.
String 8: A1#
String 7: G2#
String 6: D3#
String 5: G3#
String 4: C4#
String 3: F4#
String 2: A4#
String 1: D5#
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Capos for A#G#D#G#C#F#A#D#
Capo | Tuning | Name |
---|---|---|
0 | A#G#D#G#C#F#A#D# | Double Drop A# (8-String) |
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Tuning Map
- Fret
- S8
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- F#
- B
- E
- A
- D
- G
- B
- E
- -11
- G
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- A
- D
- G
- C
- F
- A#
- D
- G
- -8
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- B
- E
- A
- D
- G
- C
- E
- A
- -6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -4
- D
- G
- C
- F
- A#
- D#
- G
- C
- -3
- D#
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- E
- A
- D
- G
- C
- F
- A
- D
- -1
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- F#
- B
- E
- A
- D
- G
- B
- E
- 1
- G
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- A
- D
- G
- C
- F
- A#
- D
- G
- 4
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- B
- E
- A
- D
- G
- C
- E
- A
- 6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -8
- -3
- -1
- -1
- -1
- -1
- -1
- -1