BEADG Bass Electric Tuner
BEADG Standard 5 String Bass Tuning (lower) - Bass Electric tuning, chords & scales
Standard 5 String Bass Tuning Analysis
This tuning represents the quintessential Standard 5 String Bass Tuning, designed for the electric bass. It extends the instrument's range downwards, providing a powerful low end crucial for modern music styles and offering a versatile foundation for any rhythm section.
Verbal Analysis:
The core of this tuning is its expanded low register. Adding a fifth, lower string (B0) significantly deepens the instrument's sonic palette compared to a traditional 4-string bass. This allows for deeper bass lines, extended scales, and provides a broader harmonic foundation, particularly useful in genres like metal, R&B, jazz fusion, and contemporary worship music. The consistent perfect fourth intervals between all open strings make it incredibly intuitive for bassists, facilitating easy navigation of scales, arpeggios, and common walking bass lines across the fretboard. It's a workhorse tuning that provides immense flexibility and depth.
While the open strings themselves don't form a major or minor chord, the structure of perfect fourths makes playing common bass patterns and chords very accessible. Power chords (root-fifth or root-fifth-octave) are easily formed by playing adjacent strings or across three strings. For example, playing the 5th string (B0) and 4th string (E1) together forms a B and E interval, useful for specific musical contexts. More commonly, pressing a single fret across two or three strings in an 'L' shape or straight line can form common power chord shapes or intervals quickly. For instance, fretting the 4th string at the 2nd fret (F#1) and the 3rd string at the 2nd fret (B1) creates an F# power chord shape.
Technical Analysis:
- Instrument Type: Electric Bass
- Tuning Name: Standard 5 String Bass Tuning (lower)
- Open String Notes: B0 - E1 - A1 - D2 - G2 (from lowest to highest string)
- Intervals: All adjacent strings are tuned a perfect fourth apart.
- 5th String (B0) to 4th String (E1): Perfect Fourth
- 4th String (E1) to 3rd String (A1): Perfect Fourth
- 3rd String (A1) to 2nd String (D2): Perfect Fourth
- 2nd String (D2) to 1st String (G2): Perfect Fourth
- Range: This tuning provides a wide range, starting from a very low B0, enabling deep resonant tones and extended bass lines.
- String Movements Impact: The instruction to tune down all strings by 12 semitones (a full octave) from a higher state is a significant adjustment. This implies that the initial tuning was an octave higher (B1-E2-A2-D3-G3) than the target standard bass tuning. Such a drastic down-tuning requires careful consideration regarding string gauge. Using strings designed for a higher tension will result in very loose, floppy strings and poor intonation when tuned down this much. Conversely, if the bass was initially set up for this lower tuning, then the "tune down 12 semitones" instruction refers to a general principle, not necessarily a starting point from a functional higher octave.
How to Tune to Standard 5 String Bass Tuning (B0-E1-A1-D2-G2)
This section outlines the process to achieve the Standard 5 String Bass Tuning. It assumes an initial tuning state that is one octave higher than the target notes. Please exercise caution when making large tuning adjustments, especially when tuning down significantly.
Important Note on String Gauge: Tuning a string down by 12 semitones (a full octave) is a substantial change. If your bass is currently strung and set up for an octave higher (e.g., B1-E2-A2-D3-G3), you will likely need heavier gauge strings to maintain proper tension, intonation, and playability in this lower tuning. Extremely loose strings can lead to fret buzz, poor tone, and intonation issues. Conversely, if your bass is already intended for standard 5-string tuning, these instructions imply a hypothetical starting point.
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5th String (Lowest):
Starting from B1, Tune down 12 semitones to reach your target note of B0. This is a full octave down.
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4th String:
Starting from E2, Tune down 12 semitones to reach your target note of E1. This is a full octave down.
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3rd String:
Starting from A2, Tune down 12 semitones to reach your target note of A1. This is a full octave down.
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2nd String:
Starting from D3, Tune down 12 semitones to reach your target note of D2. This is a full octave down.
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1st String (Highest):
Starting from G3, Tune down 12 semitones to reach your target note of G2. This is a full octave down.
Remember to always use a reliable tuner for accuracy and adjust your string gauge and instrument setup if you are making such a significant and permanent change to your bass's tuning.
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Tuning Map
- Fret
- S7
- S6
- S5
- S4
- S3
- -13
- A#
- D#
- G#
- C#
- F#
- -12
- B
- E
- A
- D
- G
- -11
- C
- F
- A#
- D#
- G#
- -10
- C#
- F#
- B
- E
- A
- -9
- D
- G
- C
- F
- A#
- -8
- D#
- G#
- C#
- F#
- B
- -7
- E
- A
- D
- G
- C
- -6
- F
- A#
- D#
- G#
- C#
- -5
- F#
- B
- E
- A
- D
- -4
- G
- C
- F
- A#
- D#
- -3
- G#
- C#
- F#
- B
- E
- -2
- A
- D
- G
- C
- F
- -1
- A#
- D#
- G#
- C#
- F#
- 0
- B
- E
- A
- D
- G
- 1
- C
- F
- A#
- D#
- G#
- 2
- C#
- F#
- B
- E
- A
- 3
- D
- G
- C
- F
- A#
- 4
- D#
- G#
- C#
- F#
- B
- 5
- E
- A
- D
- G
- C
- 6
- F
- A#
- D#
- G#
- C#
- 7
- F#
- B
- E
- A
- D
- -12
- -12
- -12
- -12
- -12