The "Clear Tuning," as indicated by its creator, emerged from inspiration found while watching DMMD. This tuning dramatically alters the standard guitar setup, creating a unique sonic landscape characterized by deep, resonant lows and a somewhat haunting open chord.

Technical Analysis:

The open strings are tuned to B1-F2-B2-D3-B3-E4. Analyzing the intervals from the lowest string (B1):

• String 6 to String 5 (B1 to F2): A diminished 5th (or tritone). This wide, somewhat dissonant interval sets a unique, often melancholic, tone.
• String 5 to String 4 (F2 to B2): A perfect 4th.
• String 4 to String 3 (B2 to D3): A minor 3rd.
• String 3 to String 2 (D3 to B3): A perfect 5th.
• String 2 to String 1 (B3 to E4): A perfect 4th.

The open strings B-F-B-D-B-E form a complex chord. The core notes B, D, F, B suggest a B diminished triad (B-D-F). The addition of the high E (String 1) creates a B diminished chord with an added 11th (E). This results in a sound that is inherently tense and expressive, far from traditional major or minor tonalities, and leaning towards an atmospheric or avant-garde feel. The repeated B notes across three strings offer a strong drone potential.

Chordal Possibilities:

Given the open B diminished (add11) sound, this tuning opens up interesting harmonic avenues:

• Open Chord: The natural open tuning provides a B diminished chord with an added E, which can be used as a foundational, suspenseful, or melancholic voicing.
• Drone Strings: The numerous B notes (B1, B2, B3) can serve as powerful drone strings, especially the very low B1, providing a deep, sustained root for melodies or chords played on higher strings.
• Easy Barre Chords: Moving this open diminished shape up the neck with a single barre could yield other diminished or minor 7b5 (half-diminished) chords, offering a quick way to explore dissonant harmonies.
• Modal Explorations: The presence of B, D, E, F suggests a modality that could be explored for film scoring, ambient music, or genres requiring a non-standard harmonic palette.

How to Tune:

To achieve the "Clear Tuning" from standard E-A-D-G-B-E tuning, follow these adjustments:

• String 6 (Low E to B1): Tune down 5 semitones. Note: This is a significant drop. If you exceed 4 semitones down or up, a different gauge string is generally advised for optimal playability and tension.
• String 5 (A to F2): Tune down 4 semitones. Note: This is a considerable drop. If you exceed 4 semitones down or up, a different gauge string is generally advised for optimal playability and tension.
• String 4 (D to B2): Tune down 3 semitones.
• String 3 (G to D3): Tune down 5 semitones. Note: This is a significant drop. If you exceed 4 semitones down or up, a different gauge string is generally advised for optimal playability and tension.
• String 2 (B to B3): Keep as is; no change (0 semitones).
• String 1 (High E to E4): Keep as is; no change (0 semitones).

Remember to tune slowly and carefully to avoid string breakage, especially with the large downward movements. For sustained use, consulting a luthier or using appropriate string gauges for the altered tension is advisable.