CCCCCC Guitar Tuner
CCCCCC Ostrich C - Guitar tuning, chords & scales
The "Ostrich C" tuning is a unique and deeply resonant setup for your Guitar. As its name suggests and the provided description notes, it's essentially a variation of Ostrich Tuning, broadly shifted down by two whole steps, centering all strings around the note C.
Verbal Analysis
This tuning creates an incredible sonic landscape where every open string resonates as a C note, albeit in different octaves. The result is a powerful, drone-like sustain that is both harmonically rich and incredibly stable. It evokes a feeling of immense depth and can be particularly effective for creating atmospheric textures, ambient soundscapes, or percussive, rhythmic patterns that rely on a strong, unified root. Imagine a grand piano with all its C keys pressed down simultaneously – that's the kind of massive, fundamental sound this tuning offers. It's less about traditional chord voicings and more about exploring the interplay of unison and octave harmony, making it ideal for experimental music, slide playing, or heavy, foundational riffs.
Technical Analysis
The open strings are tuned to C2 C3 C3 C4 C4 C4 (low to high). This arrangement means that when all strings are strummed open, you get a massive, multi-octave C chord. More precisely, it's a C unison chord, providing an extremely strong fundamental. This tuning naturally lends itself to:
- Drone & Unison Play: The entire guitar acts as one large C instrument, allowing for powerful open string drones against fretted notes.
- Simplified Chord Shapes: Basic single-finger barres across the fretboard will instantly create other unison chords (e.g., barring at the 1st fret yields C# in various octaves, 2nd fret yields D). This opens up possibilities for simple, powerful harmonic shifts.
- Melodic Focus: With the strong C foundation, melodies played on individual strings will have a clear, resonant backing.
- Slide Guitar: The unison nature makes it excellent for slide playing, as any straight slide will naturally land on consonant notes within the same tonal family.
How to Tune
To achieve the "Ostrich C" tuning from standard E Standard tuning, follow these adjustments. Please exercise caution, especially with significant upward adjustments, as string tension increases.
- String 6 (Low E): Tune down 4 semitones to C2. (E to C)
- String 5 (A): Tune up 3 semitones to C3. (A to C). Note: Tuning up 3 semitones adds significant tension. Proceed with care.
- String 4 (D): Tune down 2 semitones to C3. (D to C)
- String 3 (G): Tune up 5 semitones to C4. (G to C). Caution: Tuning up 5 semitones is a substantial increase in tension and may require a lighter gauge string for safety and optimal tone. Proceed with extreme care.
- String 2 (B): Tune up 1 semitone to C4. (B to C)
- String 1 (High E): Tune down 4 semitones to C4. (E to C)
When tuning strings up by 5 semitones or more, or down by 5 semitones or more, it is generally recommended to consider using a different string gauge better suited for the altered tension to prevent string breakage or damage to your instrument.
String 6: C2 (Lowest C)
String 5: C3
String 4: C3
String 3: C4
String 2: C4
String 1: C4 (Highest C)
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Capos for CCCCCC
| Capo | Tuning | Name |
|---|---|---|
| -9 | D#D#D#D#D#D# | All D# Tuning (Low D#) |
| -2 | A#A#A#A#A#A# | Ostrich |
| 0 | CCCCCC | Ostrich C |
| 1 | C#C#C#C#C#C# | C Sharp |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -4
- 3
- -2
- 5
- 1
- -4
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