CEGBDF# Guitar Tuner

CEGBDF# | CEGBDG♭ Guestlist Subsrcibers Low C - Guitar tuning, chords & scales

Description - Guestlist Subsrcibers Low C

Stacked Thirds tuning contains C major Eminor and Gmajor in the open position.
This chords can be extended into 7 th 9 th and 11 chords.
scales and scales of chords can be made in a 2 fret box

Tuning Analysis: Guestlist Subscribers Low C

The "Guestlist Subscribers Low C" tuning for guitar is a fascinating and technically rich setup that redefines the instrument's harmonic landscape. As its name suggests, it grounds the lowest string in C, providing a deep foundation, and then builds upwards with a consistent pattern of stacked third intervals.

Verbal Analysis

This tuning is truly unique, described as a "Stacked Thirds tuning." It immediately opens up a world of rich harmonic possibilities right in the open position. Guitarists will find open C major (C-E-G), E minor (E-G-B), and G major (G-B-D) triads readily available, making it easy to create full, resonant harmonies without fretting. This inherent structure means that extending these basic triads into 7th, 9th, and even 11th chords becomes intuitive, allowing for complex jazz or progressive rock voicings with minimal effort. The description also notes that "scales and scales of chords can be made in a 2-fret box," hinting at a highly systematic and playable fretboard layout that encourages melodic and harmonic exploration within a compact area. This implies that once the interval pattern is understood, moving chord shapes and scale patterns across the neck will be logical and consistent.

Technical Analysis

This is an open tuning for a standard Guitar. The tuning notes, from lowest to highest string, are:

String 6: C2
String 5: E2
String 4: G3
String 3: B3
String 2: D4
String 1: F#5

Let's examine the intervals between consecutive open strings:

C2 to E2 (Strings 6-5): Major Third (4 semitones)
E2 to G3 (Strings 5-4): Minor Third (3 semitones)
G3 to B3 (Strings 4-3): Major Third (4 semitones)
B3 to D4 (Strings 3-2): Minor Third (3 semitones)
D4 to F#5 (Strings 2-1): Major Tenth (16 semitones) - Note: This interval is a Major Third plus an octave.

The tuning lives up to its "Stacked Thirds" moniker, as the first five strings (C-E-G-B-D) indeed form an alternating pattern of major and minor thirds, creating a Cmaj7(add9) chord. The final string, F#5, adds a significant extension. When played open, the strings collectively form a rich, extended chord. Considering C2 as the root, the open strings (C-E-G-B-D-F#) represent a C Major 7th chord with an added 9th (D) and a #11 (F#). This provides an incredibly lush harmonic base for composition and improvisation. The consistency of third intervals (Major Third, Minor Third, Major Third, Minor Third) across the lower five strings suggests predictable and accessible chord shapes. The final F#5 string, while technically a Major Third (an octave higher) from the D4, creates a bright, piercing quality that can cut through the mix and offer unique melodic or harmonic opportunities.

How to Tune Your Guitar

To achieve the "Guestlist Subscribers Low C" tuning from standard EADGBe, follow these string adjustments. Please note the recommendations for string gauge when tuning significantly up or down. Always tune slowly and carefully.

String 6 (Low E): Tune down 4 semitones from its standard E2 to C2. This is a moderate drop, generally safe for standard gauges.
String 5 (A): Tune down 5 semitones from its standard A2 to E2. This is a significant drop. Consider using a heavier gauge string to maintain tension and tone quality.
String 4 (D): Tune up 5 semitones from its standard D3 to G3. This is a substantial increase in tension. A lighter gauge string is strongly advised to prevent breakage and avoid excessive stress on the guitar neck.
String 3 (G): Tune up 4 semitones from its standard G3 to B3. This is a significant increase. A lighter gauge string is advised to prevent breakage and maintain playability.
String 2 (B): Tune up 3 semitones from its standard B3 to D4. This is a moderate increase. While still within a range that some standard gauges can handle, consider a slightly lighter gauge for comfort and to reduce string tension.
String 1 (High E): The target note for this string is F#5. The tuning instruction states to "Tune up 2 semitones" from standard E4. Tuning a standard E4 string up 2 semitones would result in F#4, not F#5. Reaching F#5 from E4 requires an increase of 14 semitones (more than an octave). Therefore, to achieve F#5, this string absolutely requires a significantly lighter gauge string (or an entirely different, pre-octave-shifted string) to prevent breakage and damage to the instrument. The provided '2 semitones' movement likely refers to a conceptual step from another reference point, not the actual required adjustment from a standard E4. Please exercise extreme caution and consider professional assistance or a dedicated setup for this particular string.