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CGBFGB Guitar Tuner

CGBFGB Cgbfgb - Guitar tuning, chords & scales

Description - Cgbfgb

for waiting

Verbal Analysis:

The 'CGBFGB Waiting Drone' tuning, inspired by its description "for waiting," is designed to create deep, resonant, and atmospheric soundscapes. With a profoundly low C2 on the lowest string, it provides a powerful, almost orchestral foundation. The open string notes—C2-G2-B2-F3-G3-B4—don't immediately form a conventional major or minor chord, which is precisely where its unique character lies. This arrangement fosters an exploratory approach to the fretboard, encouraging musicians to discover new melodic and harmonic paths.

A striking feature of this tuning is the presence of a tritone (B2-F3) between the 4th and 3rd strings. This interval introduces a captivating tension that can be leveraged for blues, jazz, or experimental genres, evoking feelings of suspense, yearning, or a raw, unfinished quality. The higher strings (G3-B4) offer a bright major third, while strings 5, 4, 3, 2, 1 (G2-B2-F3-G3-B4) strongly imply elements of a G7 chord, making it surprisingly versatile for bluesy licks and dominant harmonies in the upper register. This tuning is particularly suited for ambient music, fingerstyle, or slide guitar, where its inherent resonance and complex intervals can truly shine.

Technical Analysis:

The open strings are tuned to C2-G2-B2-F3-G3-B4. Let's examine the intervals formed from the lowest string (C2):

  • String 6 (C2) to String 5 (G2): A Perfect 5th (7 semitones). This creates a strong, foundational power chord.
  • String 5 (G2) to String 4 (B2): A Major 3rd (4 semitones). Together with C2, this implies a C major triad fragment (C-G-B). `
  • `
  • String 4 (B2) to String 3 (F3): A Diminished 5th or Tritone (6 semitones). This is a highly resonant and harmonically rich interval, central to the tuning's character.
  • String 3 (F3) to String 2 (G3): A Major 2nd (2 semitones). This creates a close, cluster-like voicing in the middle register.
  • String 2 (G3) to String 1 (B4): A Major 10th (Major 3rd + Octave, 16 semitones). This brings a bright, high voicing to the upper range.
The full set of open strings C-G-B-F-G-B can be interpreted in various ways. It contains a strong G7 chord (G-B-F-G-B) across strings 5-1. With the low C, it could function as a C dominant 9th with a flattened 5th (C-G-B-F-G-B where F is the b5 of C, and G-B are the 9th and 3rd). This open string collection offers a unique harmonic canvas, pushing beyond typical diatonic frameworks.

Chordal Opportunities:

Given the non-standard intervals, traditional chord shapes will require adaptation, but the tuning naturally facilitates:

  • Open G7 and Related Harmonies: The upper five strings (G-B-F-G-B) naturally form a G7 chord. This makes it easy to access dominant 7th voicings by simply fretting these strings, or to build related chords by adjusting a single finger.
  • C-centric Textures: The powerful C2-G2 foundation allows for rich, open C-based harmonies. Barring across the lower strings will yield powerful root-fifth chords, while adding higher notes provides complex extensions.
  • Drone and Ambient Chords: The combination of perfect fifths, major thirds, and the prominent tritone makes this tuning excellent for sustained drones, ethereal soundscapes, and chords with an inherent sense of tension and release.
  • Blues and Jazz Voicings: The intrinsic G7 feel and the tension of the tritone make this an inspiring tuning for blues and jazz improvisation, allowing for unique chord voicings and melodic phrases over C or G dominant or minor contexts.



Open String Notes:

  • String 6 (Lowest Pitch): C2
  • String 5: G2
  • String 4: B2
  • String 3: F3
  • String 2: G3
  • String 1 (Highest Pitch): B4

How to Tune (from Standard E-A-D-G-B-E):

Please exercise caution when tuning, especially when making significant changes to string tension. For movements exceeding 4 semitones (up or down), it is often advised to consider using a different gauge string to prevent breakage, ensure proper intonation, and maintain optimal playability.

  • String 6 (E2): Tune down 4 semitones to C2. (Note: This is a significant drop in tension. A thicker gauge string may be beneficial.)
  • String 5 (A2): Tune down 2 semitones to G2.
  • String 4 (D3): Tune down 3 semitones to B2.
  • String 3 (G3): Tune down 2 semitones to F3. `
  • `
  • String 2 (B3): Tune down 4 semitones to G3. (Note: This is a significant drop in tension. A thicker gauge string may be beneficial.)
  • String 1 (E4): Tune up 7 semitones to B4. (Warning: This is a substantial increase in tension. A lighter gauge string is highly recommended, and proceed with extreme care to avoid string breakage and neck damage.)

C
G
B
F
G
B
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Capos for CGBFGB

Capo Tuning Name
0 CGBFGB Cgbfgb

Scales for CGBFGB

A A# B C C# D

Songs tuned to CGBFGB

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