CGCDGD# Guitar Tuner
CGCDGD# | CGCDGE♭ CGCDGD - Guitar tuning, chords & scales
This unique and deeply resonant tuning, inspired by Jake E. Lee, transforms your guitar into a powerful sonic landscape. All strings are tuned down significantly from standard, resulting in a dark, rich, and full-bodied sound perfect for heavy rock, blues, and atmospheric compositions.
Verbal Analysis
Dubbed "Jake Edward Lee's original," this tuning plunges the guitar into an exceptionally low and open resonance. The substantial drop in pitch across all strings imparts a slacker feel, which can be advantageous for expressive bends and a somewhat 'looser' playability. However, to maintain optimal tension, intonation, and clarity, a heavier gauge string set is highly recommended. The open strings, when strummed together, unveil a powerful, complex chord that resonates deeply, serving as an instant, inspiring foundation for impactful riffs and emotive melodies.
Technical Analysis
The open string notes for this tuning are: C2 G2 C3 D3 G3 D#4 (Eb4). This configuration fundamentally forms a C minor 9 chord with a distinct open voicing. The lowest C, anchored by the 6th string, provides immense power and depth to the overall sound.
- The lowest three strings (C2-G2-C3) immediately establish a robust C power chord, offering a solid and driving rhythmic foundation.
- The successive notes of D3 (the 9th), G3 (the 5th), and D#4 (the minor 3rd, or Eb4) on the higher strings combine to create a full and rich C minor 9 (Cm9) chord when all open strings are strummed simultaneously.
- The consistent intervalic structure across the tuning means that simple barre chords become instantly transposed minor 9 chords (e.g., barring the 1st fret yields a C#m9 chord).
- The unique intervals between adjacent strings (C-G perfect 5th, G-C perfect 4th, C-D major 2nd, D-G perfect 4th, G-D# augmented 4th/minor 6th) open up interesting melodic possibilities and facilitates diatonic movement within the C minor scale, alongside easy access to sus2 and sus4 voicings.
Considerations for String Gauge:
Due to the extreme pitch drops for several strings (the 6th string to C2, 3rd string to D3, and 2nd string to G3 all involve tuning down 4 or 5 semitones from standard), a significantly heavier gauge string set is highly recommended. Using heavier strings will mitigate excessive looseness and floppiness, improve intonation accuracy, and ensure a clearer, more powerful tone, particularly for the lowest notes. Standard gauge strings may feel too slack and could result in buzzing, poor sustain, and intonation challenges.
How to Tune to C-G-C-D-G-Eb
To achieve this unique C-G-C-D-G-Eb tuning, you will need to tune all your strings down from standard EADGBe tuning:
- String 6 (Low E): Tune down 4 semitones from E2 to C2. (As per JSON: "Tune down 4 semitones") Recommendation: This is a significant drop; a heavier gauge string is advised for optimal performance.
- String 5 (A): Tune down 2 semitones from A2 to G2. (As per JSON: "Tune down 2 semitones")
- String 4 (D): Tune down 2 semitones from D3 to C3. (As per JSON: "Tune down 2 semitones")
- String 3 (G): Tune down 5 semitones from G3 to D3. (As per JSON: "Tune down 5 semitones") Recommendation: This is a significant drop; a heavier gauge string is advised for optimal performance.
- String 2 (B): Tune down 4 semitones from B3 to G3. (As per JSON: "Tune down 4 semitones") Recommendation: This is a significant drop; a heavier gauge string is advised for optimal performance.
- String 1 (High E): Tune down 1 semitone from E4 to D#4 (Eb4). (As per JSON: "Tune down 1 semitones")
Note on String 1: The original JSON's 'tuning_notes' key for String 1 indicated D5#. However, our analysis, strictly following the 'string_movements' data (tuning down 1 semitone from standard E4), yields D#4 (Eb4) as the practical and intended target note for a guitar's high E string. Achieving a D5# would typically necessitate an extremely thin string at immense tension, likely exceeding the practical and safe limits for a conventional guitar setup. Our tuning instructions and analysis reflect this practical derivation from the string movement data.
Comments - have your say on CGCDGD#
Capos for CGCDGD#
| Capo | Tuning | Name |
|---|---|---|
| 0 | CGCDGD# | CGCDGD |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
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- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
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- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -4
- -2
- -2
- -5
- -4
- -1
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