CGCD#AD Guitar Tuner
CGCD#AD | CGCE♭AD Drop C/D# - Guitar tuning, chords & scales
Welcome to the Drop C/D# tuning, a highly resonant and heavy configuration primarily designed for modern rock, metal, and other genres demanding a powerful low-end presence. As its name suggests, it builds upon the popular Drop C tuning, taking the "drop-ness" to an extreme by also dropping the fourth string. This results in a deeply guttural sound, perfect for crushing riffs, chugging rhythms, and exploring darker harmonic textures.
Technical Analysis
The open string notes for this tuning are: C2 - G2 - C3 - D#4 - A3 - D4 (low to high). This setup immediately presents a robust C power chord on the lowest three strings (C2-G2-C3), making open C5 chords and octave-doubled power chords extremely accessible with a single finger across the bottom strings. The presence of D#4 (enharmonically Eb4) on the third string, alongside C and G, naturally leans towards a C minor tonality (C-G-C-Eb).
The intervals between strings are particularly noteworthy:
- 6th String (C2) to 5th String (G2): A perfect 5th, maintaining a common power chord interval.
- 5th String (G2) to 4th String (C3): A perfect 4th, further reinforcing the C-based power chord structure on the lower strings.
- 4th String (C3) to 3rd String (D#4): A compound minor 3rd up (15 semitones), creating a significant jump in pitch and an unexpected melodic contour.
- 3rd String (D#4) to 2nd String (A3): A perfect 5th down (7 semitones down), adding an interesting inversion to the mid-range.
- 2nd String (A3) to 1st String (D4): A perfect 4th up, a standard and melodically pleasing interval.
This unique arrangement allows for powerful, low-end riffs with a distinct character. While the lowest strings provide a solid C-based foundation, the higher strings (D#4-A3-D4) offer interesting harmonic possibilities, potentially hinting at a C minor 6/9 voicing (C-G-Eb-A-D) when played open. This combination creates a complex, rich texture, perfect for exploring dark and aggressive musical landscapes with an underlying melancholic edge.
Chordal Opportunities
- Power Chords: The C-G-C on the lowest three strings makes standard 5th-root power chords effortless across the 6th, 5th, and 4th strings by simply barring a single fret. This is ideal for heavy riffing.
- Open C Minor: Strumming strings 6, 5, 4, 3 (C2-G2-C3-D#4/Eb4) yields a rich open C minor sound, which can be easily adapted to a variety of minor keys by moving the root.
- Extended Voicings: With the unique D#4-A3-D4 configuration on the upper strings, players can experiment with open voicings that include minor 3rds, 6ths, and 9ths, adding a sophisticated edge to the heavy foundation. The D#4 and D4 can also create interesting dissonances for tension and release.
Open String Notes (Low to High)
- 6th String (Low E): C2
- 5th String (A): G2
- 4th String (D): C3
- 3rd String (G): D#4
- 2nd String (B): A3
- 1st String (High E): D4
How to Tune Your Guitar
To achieve the Drop C/D# tuning, you will adjust your strings from standard E-A-D-G-B-e tuning as follows. Please proceed with caution, especially with significant pitch changes.
-
6th String (Low E): Tune down 4 semitones to C2.
Note: Tuning down 4 semitones is a significant change. Consider using a heavier gauge string for optimal tension and tone. - 5th String (A): Tune down 2 semitones to G2.
- 4th String (D): Tune down 2 semitones to C3.
-
3rd String (G): Tune down 4 semitones to D#4.
Note: Tuning down 4 semitones from standard G3 would normally result in D#3. However, the target note for this tuning is D#4. This implies tuning to a higher octave for the D# note. Using a lighter gauge string than standard might be necessary, and extreme caution should be exercised to avoid string breakage due to increased tension. - 2nd String (B): Tune down 2 semitones to A3.
- 1st String (High E): Tune down 2 semitones to D4.
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -4
- -2
- -2
- -4
- -2
- -2