CGDGA#C Guitar Tuner
CGDGA#C | CGDGB♭C Open C7sus2 - Guitar tuning, chords & scales
The "Open C7sus2" tuning, famously utilized by Mogwai in "You're Lionel Richie," presents a rich, resonant, and somewhat melancholic soundscape. It's a non-standard open tuning that immediately evokes a sense of atmospheric depth and a bluesy, dominant character due to the flat seventh. This tuning is ideal for creating expansive, ringing chords and drones, perfect for post-rock, ambient, or experimental genres.
Technical Analysis
The open strings are tuned to C2-G2-D3-G3-A#4-C4 (from low to high). Analyzing the intervals from the lowest C root:
- String 6 (C2): Root
- String 5 (G2): Perfect Fifth (P5)
- String 4 (D3): Major Second / Major Ninth (M2/M9)
- String 3 (G3): Perfect Fifth (P5) - an octave above the G2
- String 2 (A#4): Minor Seventh (m7), enharmonically Bb
- String 1 (C4): Root - two octaves above the C2
Together, these notes spell out a C - G - D - G - A# - C, which is a clear voicing of a C7sus2 chord. The prominent flat seventh (A#, or Bb) gives it a dominant quality, while the suspended second (D) adds an open, unresolved, or modern harmonic flavor, distinct from a standard major or minor chord. The repetition of G (fifth) and C (root) across different octaves provides a full, harmonically stable base.
Chords and Playability
- Open Chords: The open strings themselves form a rich C7sus2 chord, allowing for immediate resonant sonic textures without fretting.
- Barre Chords: Moving this C7sus2 shape up the neck with a single barre creates other X7sus2 chords (e.g., barre at the 2nd fret yields D7sus2). This makes for easy transposition and powerful rhythmic chording.
- Drone and Melody: The open C and G strings create a powerful drone, over which melodic lines can be woven on the higher strings. The open D and G strings retain their standard tuning relationship, which might offer familiar fingerings for some melodic passages or chord voicings built around D and G.
- Unique Voicings: The unique intervals, particularly the D (sus2) and A# (b7), encourage unconventional fingerings and the discovery of fresh chord voicings not easily accessible in standard tuning. The wide interval between the low C and the high C (two octaves) also contributes to a grand, expansive sound.
How to Tune
To achieve the Open C7sus2 tuning, you'll need to adjust several strings from standard EADGBe tuning. Please pay close attention to the specified movements.
- String 6 (Low E): Tune down 4 semitones to C2.
- String 5 (A): Tune down 2 semitones to G2.
- String 4 (D): Keep as is; no change (0 semitones) to D3.
- String 3 (G): Keep as is; no change (0 semitones) to G3.
- String 2 (B): Tune down 1 semitones to A#4.
- String 1 (High E): Tune down 4 semitones to C4.
Important Note: When tuning strings more than 4 semitones up or down, it is generally advised to use a different gauge string to prevent breakage (for tuning up) or excessive floppiness/intonation issues (for tuning down). In this tuning, the 6th and 1st strings are tuned down 4 semitones, which is at the maximum recommended range for a standard gauge before considering a thicker string for better tension and intonation.
String 6 (Low E): C2
String 5 (A): G2
String 4 (D): D3
String 3 (G): G3
String 2 (B): A#4
String 1 (High E): C4
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Capos for CGDGA#C
| Capo | Tuning | Name |
|---|---|---|
| 0 | CGDGA#C | Open C7sus2 |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -4
- -2
- 0
- 0
- -1
- -4
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