CGFFCF Guitar Tuner
CGFFCF Csus4 - Guitar tuning, chords & scales
Tuning Overview: C Suspend 4th (Csus4)
This intriguing tuning, named "Csus4," transforms your guitar into a rich, resonant instrument centered around the C suspended 4th chord. The open strings are tuned to C-G-F-F-C-F (low to high), creating an immediate and full Csus4 sonority (C, F, G). The prominent F notes across multiple strings (especially strings 4, 3, and 1) contribute to a shimmering, open sound with a strong suspended quality. It's excellent for melodic lines that lean into the suspended fourth, and for creating expansive soundscapes. The provided description hints at a potential challenge, stating, "Might be a nightmare for the 3rd string." While tuning down the 3rd string by two semitones to F3 isn't overly extreme, this observation suggests a need for careful attention or that this specific string/note combination can be problematic for some setups.
Technical Analysis:
- Open Chord: The open strings form a full C suspended 4th chord (C-F-G), with multiple octaves and doublings (C2, G2, F2, F3, C4, F4). This provides an immediate, lush harmonic foundation with a distinctive suspended sound.
- Voicing: The low C and G provide a strong bass foundation, while the doubled Fs across the middle and high strings create a distinct, resonant suspended quality. The high C and F add sparkle and sustain to the overall chord.
- Chordal Possibilities:
- Open Csus4: Directly available and highly resonant, perfect for drone-like textures.
- Barre Chords: Moving this open shape up the neck with a full barre will yield other suspended 4th chords (e.g., a 5th fret barre creates an Fsus4 chord, a 7th fret barre yields a Gsus4).
- Drone Textures: The repeated Fs and Cs lend themselves exceptionally well to droning and open string accompaniment, allowing for melodic exploration over a stable harmonic bed.
- Unique Fingerings: Familiar chord shapes will be entirely re-voiced in this tuning, opening up new melodic and harmonic possibilities. The close proximity of the F notes on strings 3 and 4 (F3 and F2) could facilitate interesting two-note voicings or pedal tones.
How to Tune (from Standard E-A-D-G-B-E):
Please tune your guitar carefully, especially when making significant changes to string tension. When tuning a string down more than 4 semitones or up more than 4 semitones, it is generally recommended to consider a different string gauge to avoid string breakage, intonation issues, or damage to your instrument.
- 6th String (Low E): Tune down 4 semitones to C2. (Original note: E2). (Note: Tuning down 4 semitones is a substantial drop; a heavier gauge string is advised for optimal tension, intonation, and string longevity.)
- 5th String (A): Tune down 2 semitones to G2. (Original note: A2).
- 4th String (D): Tune down 9 semitones to F2. (Original note: D3). (Warning: Tuning down 9 semitones is an extreme change in tension. A much heavier gauge string is strongly advised to prevent string breakage, maintain proper tension, and ensure accurate intonation and playability.)
- 3rd String (G): Tune down 2 semitones to F3. (Original note: G3).
- 2nd String (B): Tune up 1 semitone to C4. (Original note: B3).
- 1st String (High E): Tune up 1 semitone to F4. (Original note: E4).
6th String: C2
5th String: G2
4th String: F2
3rd String: F3
2nd String: C4
1st String: F4
Comments - have your say on CGFFCF
Capos for CGFFCF
| Capo | Tuning | Name |
|---|---|---|
| 0 | CGFFCF | Csus4 |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -4
- -2
- -9
- -2
- 1
- 1
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