C#AC#AC#EAC# Guitar Tuner
C#AC#AC#EAC# | D♭AD♭AD♭EAD♭ I Remember Silas Tuning - Guitar tuning, chords & scales
Description - I Remember Silas Tuning
This is a variant tuning of C#A#C#G#C#F#A#D#, but it has more octave capabilities as well as making easy chords on the top strings and providing a rhythm and ambience on the bottom strings. Silas was actually a guy I used to work with that died of cancer in his 30s. Pray for him
Tuning Overview: I Remember Silas Tuning
The "I Remember Silas Tuning" for an 8-string guitar is a deeply resonant and versatile alternative tuning, conceived with a poignant tribute in mind. As described, it's a variant of a C#A#C#G#C#F#A#D# structure, designed to offer expansive octave capabilities, facilitate easy chord formations on the higher strings, and provide a rich tapestry for rhythm and ambience on the lower strings.
Technical Analysis
This 8-string tuning presents the open notes C2#, A1, C3#, A2, C4#, E3, A3, C5# (from lowest to highest string). An immediate observation reveals a powerful A major chord voicing across the entire instrument. The open strings collectively produce the notes A, C#, and E, which are the root, major third, and perfect fifth of an A major triad. The tuning is exceptionally rich in A and C# notes, spanning multiple octaves, which contributes to its advertised "octave capabilities" and resonant character.
Specifically, the presence of C# (string 8), A (string 7), C# (string 6), A (string 5), C# (string 4), E (string 3), A (string 2), C# (string 1) creates a unique harmonic landscape. While the overall sound is A major, the lowest note being C# (the major third of A) gives it an A major first inversion feel or a distinct C# tonal center. This foundation makes it excellent for creating drone-like textures or open-string arpeggios that shimmer with A major harmony.
Chordal Possibilities
The layout is particularly conducive to "easy chords on the top strings." For instance, the top three strings (C5#, A3, E3) already form an A major triad. This allows for simple one-finger barres across these or other groups of strings to quickly create various major chords. Barring across all strings at the second fret, for example, would yield an E major chord (E/B/E/B/E/F#/B/E), leveraging the open tuning's inherent structure. The repeated A and C# notes ensure that moving simple shapes up the neck will consistently produce consonant, full-bodied chords, making it accessible for both rhythmic accompaniment and melodic phrasing. The "rhythm and ambience on the bottom strings" comes from the deep, resonant C# and A notes, which can provide a powerful, sustaining bass foundation.
How to Tune
To achieve the "I Remember Silas Tuning," carefully adjust each string to its target note. Note that several strings require significant tuning down; for drops exceeding four semitones, a heavier gauge string is strongly advised to maintain proper tension and tone. Always tune carefully and gradually.
- String 8 (Lowest String): Tune down 5 semitones to C2#. Note: This is a significant drop; consider a heavier gauge string for optimal performance.
- String 7: Tune down 2 semitones to A1.
- String 6: Tune down 3 semitones to C3#.
- String 5: Keep as is; no change (0 semitones) for A2.
- String 4: Tune down 1 semitone to C4#.
- String 3: Tune down 3 semitones to E3.
- String 2: Tune down 2 semitones to A3.
- String 1 (Highest String): Tune down 3 semitones to C5#.
String 8 (Lowest): C2#
String 7: A1
String 6: C3#
String 5: A2
String 4: C4#
String 3: E3
String 2: A3
String 1 (Highest): C5#
Comments - have your say on C#AC#AC#EAC#
Capos for C#AC#AC#EAC#
| Capo | Tuning | Name |
|---|---|---|
| 0 | C#AC#AC#EAC# | I Remember Silas Tuning |
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Tuning Map
- Fret
- S8
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- F#
- B
- E
- A
- D
- G
- B
- E
- -11
- G
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- A
- D
- G
- C
- F
- A#
- D
- G
- -8
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- B
- E
- A
- D
- G
- C
- E
- A
- -6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -4
- D
- G
- C
- F
- A#
- D#
- G
- C
- -3
- D#
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- E
- A
- D
- G
- C
- F
- A
- D
- -1
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- F#
- B
- E
- A
- D
- G
- B
- E
- 1
- G
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- A
- D
- G
- C
- F
- A#
- D
- G
- 4
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- B
- E
- A
- D
- G
- C
- E
- A
- 6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -5
- -2
- -3
- 0
- -1
- -3
- -2
- -3
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