C#AC#G#BE Guitar Tuner
C#AC#G#BE | D♭AD♭A♭BE Broke Hand Tuning - Guitar tuning, chords & scales
"Broke hand Tuning" - Verbal Analysis
As described by its creator, this tuning "works a bit" and is aptly named "Broke hand Tuning." It presents a unique, rich sonic landscape, particularly well-suited for open, resonant sounds. The verbal analysis suggests a tuning designed to facilitate playing despite potential physical limitations, possibly by providing complex harmonies with minimal fretting.
At its core, this tuning sets up a beautiful, expansive open A Major 9th chord across all strings. Imagine a full, shimmering chord that rings out just by strumming open strings – this tuning delivers that. The inclusion of the low C# on the 6th string, lower than the A on the 5th, creates an intriguing bass foundation. This makes the tuning excellent for atmospheric music, drone-based compositions, or intricate fingerstyle where the open strings can provide a constant, harmonic bed.
The arrangement of notes allows for the quick creation of various A-based harmonies. Strumming all strings yields a full A Major 9th. By selectively muting or omitting certain strings, you can easily achieve an A Major 7th or a simple A Major triad. The strong A Major tonality, coupled with the low C# on the 6th string, also subtly hints at a C# minor flavor, offering interesting melodic and harmonic possibilities.
"Broke hand Tuning" - Technical Analysis
The "Broke hand Tuning" features the following open notes from the lowest (6th) string to the highest (1st) string: C#3 - A2 - C#4 - G#4 - B3 - E4. This is a highly resonant tuning, essentially spelling out an A Major 9th chord (A-C#-E-G#-B) across the open strings, but with a unique voicing.
- String 6 (C#3): Functions as a major third in an A Major context, but is unusually placed as the lowest string, creating a deep, resonant foundation for the chord.
- String 5 (A2): The root of the implied A Major 9th chord, providing a solid anchor.
- String 4 (C#4): An octave higher major third, reinforcing the A Major quality and adding brightness.
- String 3 (G#4): The major seventh, adding the characteristic richness and tension of a major 7th chord.
- String 2 (B3): The ninth, extending the harmony to an A Major 9th and adding sweetness.
- String 1 (E4): The perfect fifth, providing harmonic stability and completeness.
This tuning is characterized by its wide voicings and the immediate availability of a complex chord. The strategic placement of the C# on the lowest string, while the root A is on the 5th string, creates a somewhat suspended or ambiguous feel that is ripe for exploration. It's a powerful tool for composers and guitarists looking for a distinct sound that can inspire new melodic and harmonic ideas.
Open String Notes
Here are the notes for each string in the "Broke hand Tuning" (from lowest to highest):
- 6th String: C3#
- 5th String: A2
- 4th String: C4#
- 3rd String: G4#
- 2nd String: B3
- 1st String: E4
How to Tune to "Broke hand Tuning"
To achieve the "Broke hand Tuning," follow these instructions for each string:
- 6th String (Lowest): Tune to C3#. This involves tuning it down 3 semitones from its standard pitch.
- 5th String: Tune to A2. Keep as is; no change (0 semitones) from its standard pitch.
- 4th String: Tune to C4#. This involves tuning it down 1 semitones from its standard pitch.
- 3rd String: Tune to G4#. This involves tuning it up 1 semitones from its standard pitch.
- 2nd String: Tune to B3. Keep as is; no change (0 semitones) from its standard pitch.
- 1st String (Highest): Tune to E4. Keep as is; no change (0 semitones) from its standard pitch.
No string requires a movement of more than 4 semitones up or down, so a change in string gauge is generally not required for this tuning.
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Capos for C#AC#G#BE
| Capo | Tuning | Name |
|---|---|---|
| 0 | C#AC#G#BE | Broke Hand Tuning |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -3
- 0
- -1
- 1
- 0
- 0
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