C#ADGCFAD Guitar Tuner
C#ADGCFAD | D♭ADGCFAD Idk - Guitar tuning, chords & scales
Verbal and Technical Analysis
The 'Deep A-C# Quartal Cascade Tuning' is an extraordinary and experimental 8-string guitar setup, pushing the boundaries of conventional tuning. It plunges into an exceptionally low register, creating a dense and resonant sonic landscape suitable for progressive metal, drone, ambient, or experimental compositions. The most striking feature is the inversion of pitch between the lowest two physical strings, with the 7th string (A1) tuned significantly lower than the 8th string (C#2), producing a unique, growling foundation.
Technically, the open strings are set as C#2, A1, D2, G2, C3, F3, A3, D4, from the thickest (8th) to the thinnest (1st) string. This configuration creates a series of unique intervals:
- String 8 (C#2) to String 7 (A1): A significant drop of a Major Third (4 semitones down). This unexpected interval places the A1 as the absolute lowest note available on the open strings.
- String 7 (A1) to String 6 (D2): A Perfect Fourth up (5 semitones).
- String 6 (D2) to String 5 (G2): A Perfect Fourth up (5 semitones).
- String 5 (G2) to String 4 (C3): A Perfect Fourth up (5 semitones).
- String 4 (C3) to String 3 (F3): A Perfect Fourth up (5 semitones).
- String 3 (F3) to String 2 (A3): A Major Third up (4 semitones).
- String 2 (A3) to String 1 (D4): A Perfect Fourth up (5 semitones).
The segment from String 6 (D2) to String 3 (F3) forms a consistent stack of perfect fourths (D-G-C-F), which provides a familiar and intuitive basis for chord construction and melodic phrasing within its otherwise unconventional framework. The subsequent major third (F-A) and final perfect fourth (A-D) maintain a harmonic consistency in the upper register.
Open Chords and Harmonic Possibilities
This tuning offers several compelling harmonic opportunities right from the open strings:
- D minor (Dm): The notes D, F, and A are prominently featured across strings 6, 3, and 2 respectively. This allows for rich, open D minor voicings and easy access to D minor scales.
- F major (F): With F, A, and C available on strings 3, 2, and 4, an open F major triad can be easily sounded, providing a bright contrast to the deep lower register.
- Quartal Harmony: The consecutive perfect fourths (D-G-C-F) on strings 6-3 are ideal for building quartal chords and voicings, producing modern and expansive sounds by simply barring or fretting notes across these strings.
- Extended Range Drones: The extremely low A1, coupled with the C#2, can create powerful, sustained drones or dissonant pedal tones, perfect for atmospheric or heavy musical styles. The wide range also allows for dramatic counterpoint between bass and treble lines.
How to Tune Your Guitar
To achieve the 'Deep A-C# Quartal Cascade Tuning', please adjust your strings as follows. Always tune carefully and use a reliable tuner:
- String 8 (C2#): Keep as is; no change (0 semitones).
- String 7 (A1): Tune up 3 semitones.
- String 6 (D2): Tune up 3 semitones.
- String 5 (G2): Tune up 3 semitones.
- String 4 (C3): Tune up 3 semitones.
- String 3 (F3): Tune up 3 semitones.
- String 2 (A3): Tune up 2 semitones.
- String 1 (D4): Tune up 3 semitones.
Note: All described string movements are within a safe range (4 semitones or less for tuning up or down). However, always exercise caution when adjusting string tension. For significantly larger movements, a different string gauge is generally advised, though not required for this specific tuning.
String 8: C2#
String 7: A1
String 6: D2
String 5: G2
String 4: C3
String 3: F3
String 2: A3
String 1: D4
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Comments - have your say on C#ADGCFAD
Capos for C#ADGCFAD
| Capo | Tuning | Name |
|---|---|---|
| -2 | GGCFA#D#GC | G Octave Tuning |
| 0 | C#ADGCFAD | Idk |
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Tuning Map
- Fret
- S9
- S8
- S7
- S6
- S5
- S4
- S3
- S2
- -13
- C
- F
- A#
- D#
- G#
- C#
- F#
- A#
- -12
- C#
- F#
- B
- E
- A
- D
- G
- B
- -11
- D
- G
- C
- F
- A#
- D#
- G#
- C
- -10
- D#
- G#
- C#
- F#
- B
- E
- A
- C#
- -9
- E
- A
- D
- G
- C
- F
- A#
- D
- -8
- F
- A#
- D#
- G#
- C#
- F#
- B
- D#
- -7
- F#
- B
- E
- A
- D
- G
- C
- E
- -6
- G
- C
- F
- A#
- D#
- G#
- C#
- F
- -5
- G#
- C#
- F#
- B
- E
- A
- D
- F#
- -4
- A
- D
- G
- C
- F
- A#
- D#
- G
- -3
- A#
- D#
- G#
- C#
- F#
- B
- E
- G#
- -2
- B
- E
- A
- D
- G
- C
- F
- A
- -1
- C
- F
- A#
- D#
- G#
- C#
- F#
- A#
- 0
- C#
- F#
- B
- E
- A
- D
- G
- B
- 1
- D
- G
- C
- F
- A#
- D#
- G#
- C
- 2
- D#
- G#
- C#
- F#
- B
- E
- A
- C#
- 3
- E
- A
- D
- G
- C
- F
- A#
- D
- 4
- F
- A#
- D#
- G#
- C#
- F#
- B
- D#
- 5
- F#
- B
- E
- A
- D
- G
- C
- E
- 6
- G
- C
- F
- A#
- D#
- G#
- C#
- F
- 7
- G#
- C#
- F#
- B
- E
- A
- D
- F#
- 0
- 3
- 3
- 3
- 3
- 3
- 2
- 3
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