C#F#AF#G#C# Guitar Tuner
C#F#AF#G#C# | D♭G♭AG♭A♭D♭ C# Serenade - Guitar tuning, chords & scales
Verbal Analysis
As the original description hints, the 'C# Serenade' tuning (C# F# A F# G# C#) is meticulously crafted for evocative and melancholic expressions. With its 'lovely harmonics,' it provides a rich, resonant soundscape perfect for crafting 'sad pretty songs.' The open strings create a beautiful, complex drone that evokes a sense of introspection and longing. It's a tuning that invites fingerstyle players to explore intricate arpeggios, allowing for expressive slide work due to its open chord qualities and generous string slack from detuning. This tuning can lend itself beautifully to genres such as ambient, folk, indie, and even some forms of blues or classical music where a somber yet beautiful tone is desired, offering a unique voice that stands out from standard tunings.
Technical Analysis
This unique open tuning, C# F# A F# G# C#, presents a rich harmonic palette and several interesting chordal possibilities. The open strings form a variation of an Open C#sus4(add minor 6th) or Open A Major 7 (add 6) chord, depending on your tonal center. Let's break down its structure:
- Root & Intervals (from C#): If we consider C# as the root, the notes across the strings are: C# (Root), F# (Perfect 4th), A (minor 6th), F# (Perfect 4th, repeated), G# (Perfect 5th), and C# (Octave). This gives it a strong suspended quality (due to the F#) and a melancholic touch (due to the A minor 6th), making for a unique and emotionally resonant open chord.
- Sympathy to Keys A and E:
- For Key of A: The notes C#, F#, A, G# are all integral components of an A Major 7 chord (A C# E G#) or A Lydian scale. Specifically, the tuning provides the root A (from the 4th string), Major 3rd C# (6th and 1st strings), Perfect 4th F# (5th and 3rd strings), and Major 7th G# (2nd string). While the 5th (E) is absent from the open strings, the existing notes strongly imply an A Major 7 (add 6) tonality, making it highly sympathetic and resonant within the key of A.
- For Key of E: The tuning includes G# (Major 3rd of E), A (Perfect 4th), C# (Major 6th), and F# (Major 2nd). Although the root E and perfect 5th B are not present in its open form, the strong diatonic intervals available mean that even simple partial chords or melodies rooted in E will sound harmonious and full. This suggests great potential for modal playing.
- Chordal Possibilities:
- Open C# Minor 6th Sus4: Strumming all open strings yields a complex, rich chord. Voicing it as C# F# A F# G# C# creates a powerful C# sus4 with an added minor 6th, offering a unique, somber, and expansive sound. This chord can serve as a strong foundational drone.
- A Major 7 (add 6): By muting the 6th string and emphasizing the 5th, 4th, 3rd, 2nd, and 1st strings (F# A F# G# C#), you can easily imply an A Major 7 sound, particularly if you root your playing around the A on the 4th string.
- Two-finger Chords: Simple two-finger barres or partial frets can yield powerful drone chords. For example, barring across the 4th, 3rd, and 2nd strings at various frets will create interesting major or minor triads and suspended chords, often with open string sympathetic resonance from the C# and F# notes.
- Movable Shapes: Given the repeated C# and F# notes across different octaves and strings, many chord and melody shapes will be easily movable up and down the neck, allowing for dynamic transitions and melodic variations with a consistent harmonic foundation.
- Harmonics & Drones: The significant detuning on several strings (-1 to -5 semitones) will likely result in lower string tension, enhancing sustain and harmonic overtones. This makes it ideal for drone-based compositions, ethereal soundscapes, and exploring natural harmonics. The wide intervals between some strings also contribute to its resonant and expansive character.
While this tuning requires substantial detuning, especially on the 4th string, the resulting sonic landscape promises a deeply expressive and inspiring experience for those looking to venture beyond standard tunings and explore new emotional depths in their music.
Open String Notes:
- 6th String (Low E): C#3
- 5th String (A): F#3
- 4th String (D): A2
- 3rd String (G): F#4
- 2nd String (B): G#4
- 1st String (High E): C#5
How to Tune:
To achieve the 'C# Serenade' tuning, you will detune your guitar significantly from standard E A D G B E tuning. For movements exceeding 4 semitones (up or down), consider using a heavier or lighter gauge string as appropriate for optimal tension and tone. While the target notes are precisely defined below, note that the specific octave may sometimes imply a larger relative shift than the semitone count alone suggests, which is common in deep drop tunings.
- 6th String (Standard E): Tune down 3 semitones to C#3.
- 5th String (Standard A): Tune down 3 semitones to F#3.
- 4th String (Standard D): Tune down 5 semitones to A2. Caution: This is a significant drop in pitch and tension. You may want to consider a heavier gauge string for this position.
- 3rd String (Standard G): Tune down 1 semitones to F#4.
- 2nd String (Standard B): Tune down 3 semitones to G#4.
- 1st String (Standard E): Tune down 3 semitones to C#5.
Comments - have your say on C#F#AF#G#C#
Capos for C#F#AF#G#C#
Capo | Tuning | Name |
---|---|---|
0 | C#F#AF#G#C# | C# Serenade |
More C#F#AF#G#C# Resources
Loading an obscene
amount of Chords
Loading an obscene
amount of Scales
Please use the below form to submit a song for C#F#AF#G#C# that is not already on gtdb.org.
Videos for C#F#AF#G#C# on
Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -3
- -3
- -5
- -1
- -3
- -3