C#F#C#F#G#D# Guitar Tuner
C#F#C#F#G#D# | D♭G♭D♭G♭A♭E♭ G#7sus4/Db - Guitar tuning, chords & scales
Tuning Analysis: G#7sus4/Db
This is a unique and experimentally derived Guitar tuning, as its creator noted, suggesting a pursuit of specific sonic textures. The tuning itself, named G#7sus4/Db, immediately hints at its rich harmonic character: an open suspended chord with a distinctive bass note.
Verbal Description
Imagine a broad, open soundscape, slightly melancholic yet profoundly resonant. This tuning evokes a feeling of suspension and anticipation, perfect for ambient soundscapes, fingerstyle pieces that lean into modern folk, or even progressive rock. The low Db (C#) bass grounds the tuning, while the suspended nature of the G#7sus4 chord creates an ethereal, floating quality. It's a tuning that encourages exploration beyond traditional chord shapes, inviting players to discover new voicings and melodic possibilities.
Technical Analysis
The open strings, from the lowest (6th) to the highest (1st), are tuned to C#3, F#3, C#4, F#4, G#4, D#5. When analyzed, these notes collectively form a G#7sus4 chord (G#, C#, D#, F#) with C# (Db) serving as the prominent bass note. The tuning features octave doublings of C# (strings 6 and 4) and F# (strings 5 and 3), contributing to its full and harmonically dense sound. The G#4 on the 2nd string provides the root of the G#7sus4, while the D#5 on the 1st string adds the perfect 5th, brightening the overall timbre. The interval structure is highly resonant, with stacked perfect 4ths and a 5th, making it ideal for drone-like qualities and open-string chording.
Chordal and Melodic Opportunities
The immediate benefit is the stunning G#7sus4/Db chord available with just open strings. Due to the consistent intervals between the lower strings (C#-F# on 6th/5th strings, C#-F# on 4th/3rd strings), barre chords or partial barres will easily yield interesting suspended qualities. Sliding simple shapes up the neck will naturally maintain the suspended character. Chords such as C#sus4, F#sus4, and G#sus4 will be highly accessible with minimal finger movement. The layout is also conducive to creating modal melodies, especially in C# or G# modes, with the open strings acting as a constant harmonic bed. Players can explore rich voicings for power chords and arpeggios that would be challenging in standard tuning.
Open String Notes
- 6th String (Low E equivalent): C#3
- 5th String (A equivalent): F#3
- 4th String (D equivalent): C#4
- 3rd String (G equivalent): F#4
- 2nd String (B equivalent): G#4
- 1st String (High e equivalent): D#5
How to Tune Your Guitar to G#7sus4/Db
To achieve the G#7sus4/Db tuning from standard EADGBe, follow these string adjustments:
- 6th String (Low E): Tune down 3 semitones to C#3.
- 5th String (A): Tune down 3 semitones to F#3.
- 4th String (D): Tune down 1 semitone to C#4.
- 3rd String (G): Tune down 1 semitone to F#4.
- 2nd String (B): Tune down 3 semitones to G#4.
- 1st String (High e): Tune down 1 semitone to D#5.
All string movements are within a moderate range (no more than 3 semitones up or down). Therefore, a change in string gauge is generally not advised. However, always listen to your guitar's response and ensure proper string tension for optimal playability and instrument health.
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Capos for C#F#C#F#G#D#
| Capo | Tuning | Name |
|---|---|---|
| 0 | C#F#C#F#G#D# | G#7sus4/Db |
| 1 | DGDGAE | Open G6sus2 |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
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- -8
- G#
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- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
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- C#
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- D#
- 0
- E
- A
- D
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- B
- E
- 1
- F
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- C
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- F#
- B
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- A
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- 3
- G
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- G#
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- 5
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- E
- A
- 6
- A#
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- F
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- 7
- B
- E
- A
- D
- F#
- B
- -3
- -3
- -1
- -1
- -3
- -1
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