This is a specialized alternate tuning for the Guitar, specifically designed as a practical adaptation of the original TTNG Baboon tuning. The primary goal of this particular variation is to allow players to perform the song without the need for two capos, thus simplifying guitar setup and avoiding the extensive re-intonation typically required for such a complex original configuration.

Technical Analysis

The open tuning notes, from lowest to highest string, are C#3 F#3 D#4 A#4 D#5 F#5. This tuning features a unique and intricate interval structure between the strings:

• String 6 (C#3) to String 5 (F#3): A Perfect 4th (5 semitones)
• String 5 (F#3) to String 4 (D#4): A Major 6th (9 semitones)
• String 4 (D#4) to String 3 (A#4): A Perfect 4th (5 semitones)
• String 3 (A#4) to String 2 (D#5): A Perfect 4th (5 semitones)
• String 2 (D#5) to String 1 (F#5): A Minor 3rd (3 semitones)

The open strings collectively present a rich harmonic cluster comprising the notes C#, D#, F#, and A#. A notable characteristic of this tuning is that it inherently provides the notes for both F# Major (F#, A#, C#) and D# Minor (D#, F#, A#) in the open position. This allows for resonant, full voicings of these chords with minimal or no fretting, providing a strong and immediate harmonic foundation. The consecutive perfect fourths between strings 4, 3, and 2 (D#4 - A#4 - D#5) are reminiscent of an all-fourths tuning subset, which can facilitate certain arpeggiated figures and chord fragments, a common trait in progressive and math-rock styles. The overall sonic quality will be distinct and open, lending itself well to the intricate melodic lines and complex harmonic structures characteristic of TTNG's musical output.

Players transitioning from standard tuning will encounter a mix of strings tuned down and others significantly tuned up. This blend of traditional perfect fourths and wider, less common intervals creates an engaging and unique sonic landscape ripe for musical exploration.

Open Tuning Notes

• String 6 (Low): C#3
• String 5: F#3
• String 4: D#4
• String 3: A#4
• String 2: D#5
• String 1 (High): F#5

How to Tune

Follow these specific instructions to achieve the Baboon Without 2 Capos tuning. Each movement described is relative to your current string pitch:

• String 6: Tune down 3 semitones to reach C#3. This is a moderate adjustment downwards.
• String 5: Tune down 3 semitones to reach F#3. This is a moderate adjustment downwards.
• String 4: Tune up 1 semitone to reach D#4. A slight upward adjustment.
• String 3: Tune up 3 semitones to reach A#4. This is a moderate adjustment upwards.
• String 2: Tune up 4 semitones to reach D#5. Caution: Tuning up 4 semitones is a significant increase in string tension. It is advisable to consider using a lighter gauge string for this particular string if you plan to utilize this tuning frequently or for extended periods, or if you feel the tension is excessively high.
• String 1: Tune up 2 semitones to reach F#5. This is a moderate adjustment upwards.

As a general guideline, when tuning strings up or down by 5 or more semitones, it is often recommended to use a different string gauge to ensure optimal string tension and to prevent potential string breakage or damage to your instrument.