C#GBFA#BF#C# Guitar Tuner
C#GBFA#BF#C# | D♭GBFB♭BG♭D♭ Neue Standard Tuning - Guitar tuning, chords & scales
The Shadow Weave: A Deep Dive into Dissonance
The tuning, originally termed "Neue Standard Tuning," truly lives up to its enigmatic nature as described: it sounds profoundly dissonant and evokes a "spooky" atmosphere. This 8-string guitar tuning, which we've named "The Shadow Weave," is a departure from conventional harmonic structures, designed for players seeking to explore an expansive, darker, and more experimental sonic landscape.
Verbal Analysis:
"The Shadow Weave" conjures images of complex, interwoven sounds that defy easy categorization. Its deeply lowered and widely spread notes create an exceptionally broad sonic canvas, from the growling depths of the lowest strings to the piercing highs. The inherent dissonance, noted in the tuning's original description, makes this an ideal tuning for ambient textures, drone music, horror soundtracks, or avant-garde compositions where tension, mystery, and an absence of a clear tonal center are desired. Rather than focusing on traditional melodies or chords, this tuning invites exploration of unique voicings, clusters, and the evocative power of individual notes ringing against each other.
Technical Analysis:
This is an 8-string guitar tuning with the following open notes from thickest (String 8) to thinnest (String 1):
- String 8: C#2
- String 7: G1
- String 6: B1
- String 5: F2
- String 4: A#3
- String 3: B2
- String 2: F#4
- String 1: C#5
The overall range spans three octaves, from G1 (String 7) to C#5 (String 1), providing immense harmonic depth. Analyzing the open strings reveals a collection of notes: C#, G, B, F, A# (which is enharmonically Bb), and F#. This combination notably lacks a clear major or minor triad structure, reinforcing its dissonant character. For instance, the lowest three strings (C#2, G1, B1) form a very dense, low-end cluster that doesn't resolve into a conventional chord. The interval between String 7 (G1) and String 6 (B1) is a Major 3rd, but the subsequent C#2 on String 8 creates a challenging interval (G1-C#2 is an Augmented 4th or Tritone). Similarly, the F2 on String 5 and B2 on String 3 create another tritone. Due to this complex arrangement, finding traditional open chords is not the primary aim; instead, the tuning facilitates the creation of unique, expansive voicings and tone clusters. Players will discover intriguing harmonic possibilities by treating the open strings as a foundation for complex arpeggios, sustained drones, or percussive, atonal passages. Shapes that might involve open string dissonances resolving into more stable intervals on fretted notes would be particularly effective.
How to Tune to The Shadow Weave
This tuning involves significant adjustments from a standard 8-string setup. Please tune carefully and check intonation after all strings are set. For strings requiring movements greater than 4 semitones (up or down), consider using a different gauge string to avoid excessive tension or looseness, which can affect playability, tone, and potentially damage your instrument.
- String 8 (Lowest): Tune to C#2. This requires tuning down 5 semitones. Caution: This is a significant drop; a heavier gauge string may be advised to maintain tension and clarity.
- String 7: Tune to G1. This requires tuning down 4 semitones. Caution: This is a considerable drop; a heavier gauge string might be beneficial.
- String 6: Tune to B1. This requires tuning down 5 semitones. Caution: This is a significant drop; a heavier gauge string may be advised to maintain tension and clarity.
- String 5: Tune to F2. This requires tuning down 4 semitones. Caution: This is a considerable drop; a heavier gauge string might be beneficial.
- String 4: Tune to A#3. This requires tuning down 4 semitones. Caution: This is a considerable drop; a heavier gauge string might be beneficial.
- String 3: Tune to B2. This requires tuning down 8 semitones. Extreme Caution: This is a very substantial drop. A much heavier gauge string is strongly advised to maintain playability and avoid excessive looseness.
- String 2: Tune to F#4. This requires tuning down 5 semitones. Caution: This is a significant drop; a heavier gauge string may be advised to maintain tension and clarity.
- String 1 (Highest): Tune to C#5. This requires tuning down 3 semitones. This movement is generally within acceptable limits for standard string gauges.
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Capos for C#GBFA#BF#C#
| Capo | Tuning | Name |
|---|---|---|
| 0 | C#GBFA#BF#C# | Neue Standard Tuning |
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Tuning Map
- Fret
- S8
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- F#
- B
- E
- A
- D
- G
- B
- E
- -11
- G
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- A
- D
- G
- C
- F
- A#
- D
- G
- -8
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- B
- E
- A
- D
- G
- C
- E
- A
- -6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -4
- D
- G
- C
- F
- A#
- D#
- G
- C
- -3
- D#
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- E
- A
- D
- G
- C
- F
- A
- D
- -1
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- F#
- B
- E
- A
- D
- G
- B
- E
- 1
- G
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- A
- D
- G
- C
- F
- A#
- D
- G
- 4
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- B
- E
- A
- D
- G
- C
- E
- A
- 6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -5
- -4
- -5
- -4
- -4
- -8
- -5
- -3
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