Tuning Overview: "lol funy"

The "lol funy" tuning lives up to its unconventional name by offering a truly unique and exploratory soundscape. This tuning takes your guitar far from standard configurations, settling into a deep, resonant C# as its primary anchor. It's a tuning that doesn't conform to typical open major or minor chord structures, inviting players to delve into more experimental and modern sonic territories.

Verbal Analysis

This tuning evokes a sense of depth, complexity, and potential aggression. The very low C# on the 6th string provides a powerful, almost guttural foundation, making it well-suited for genres like metal, heavy rock, or progressive music where deep, brooding textures are key. The unconventional intervals create a sense of tension and mystery, moving away from conventional pleasantries. It's not a tuning designed for easy strumming of common chords; rather, it encourages creative single-note lines, dissonant textures, and powerful drone effects, particularly around the root C#. The name itself suggests a playful, perhaps even mischievous, approach to guitar tuning, hinting at a desire to break away from the norm.

Technical Analysis

The open notes of this tuning, from low to high, are C#3 G2 C#4 F#4 A#4 D#5. The most striking feature is the relationship between the 6th (C#3) and 5th (G2) strings. The G2 is a diminished 5th (tritone) relative to C#3, creating a highly dissonant and tense interval right at the bottom end. This tritone is a hallmark of blues, jazz, and heavy metal, offering a powerful, unsettling quality. The 4th string returns to C#4, an octave above the lowest string, providing a strong, resonant core. Above this, the strings progress with unique intervals relative to the root C#:

• 6th String (C#3): The root and lowest note.
• 5th String (G2): A highly dissonant diminished 5th (tritone) relative to C#3. This is the source of much of the tuning's unique tension.
• 4th String (C#4): A perfect octave above the 6th string, strongly reinforcing the root.
• 3rd String (F#4): A perfect 4th above C#3.
• 2nd String (A#4): A major 6th above C#3.
• 1st String (D#5): A major 9th (or major 2nd an octave up) above C#3.

Open Chords & Harmonic Possibilities

This tuning does not readily form conventional major or minor chords in the open position. Instead, it leans towards:

• Powerful Drones: The doubled C# on the 6th and 4th strings allows for a thick, resonant C# drone, which can be augmented by the other strings for complex textures.
• Dissonant Power Chords: Combining the 6th (C#), 5th (G), and 4th (C#) strings creates a C# power chord with a very edgy, diminished 5th (C#5(b5)). This is ideal for heavy, unsettling riffs.
• Suspended or Extended Voicings: The combination of C#, F#, A#, and D# (excluding the G) offers elements that can be used for bright, open, yet non-diatonic sounds, reminiscent of suspended 4th and added 9th chords, particularly if the G string is muted or used sparingly.
• Melodic Exploration: The unusual intervals between strings encourage unique melodic phrasing, especially with slides and hammer-ons across the open strings.

Overall, "lol funy" is a tuning for the adventurous guitarist seeking to break free from traditional harmony and explore a sound that is both deep and challenging, with a strong emphasis on tension and unique sonic textures.

Open String Notes

Here are the notes for each string in this "lol funy" tuning, from the lowest (6th) to the highest (1st):

• 6th String: C3#
• 5th String: G2
• 4th String: C4#
• 3rd String: F4#
• 2nd String: A4#
• 1st String: D5#

How to Tune to "lol funy"

To achieve the "lol funy" tuning from standard EADGBe, please follow these instructions carefully. All movements are within a safe range for standard gauge strings, but always tune slowly and carefully.

• 6th String (Low E): Tune down 3 semitones to C#3.
• 5th String (A): Tune down 2 semitones to G2.
• 4th String (D): Tune down 1 semitone to C#4.
• 3rd String (G): Tune down 1 semitone to F#4.
• 2nd String (B): Tune down 1 semitone to A#4.
• 1st String (High E): Tune down 1 semitone to D#5.