C#G#C#EG#C# Guitar Tuner
C#G#C#EG#C# | D♭A♭D♭EA♭D♭ Open C# Minor - Guitar tuning, chords & scales
Verbal Analysis
The Open C# Minor tuning plunges your guitar into a deep, resonant soundscape, perfectly suited for crafting melancholic, heavy, or atmospheric music. As its description suggests, it's conceptually an Open D Minor tuning but lowered by a whole and a half step (three semitones), resulting in a profound and rich minor tonality. This tuning is a favorite for genres such as blues, hard rock, metal, or emotionally charged acoustic pieces where a strong minor foundation is paramount. Strumming the open strings immediately yields a full C# minor chord, making it remarkably intuitive for developing powerful chord progressions and exploring new melodic ideas with ease.
Technical Analysis
This Guitar tuning is named Open C# Minor because its open strings form a C# minor chord. The specific notes, from the lowest to highest string, are C#3, G3#, C4#, E3, G4#, and C5#. This voicing creates a powerful and full-bodied C# minor chord (C# - E - G#) across multiple octaves, with the root (C#) and fifth (G#) notes strategically placed for maximum resonance. The structure of this tuning, with its repeated root and fifth intervals, makes playing barre chords incredibly straightforward: simply barring a single finger across any fret will produce a minor chord at that position, allowing for rapid and effective transposition of chord progressions. Furthermore, power chords (root and fifth) are easily accessible across adjacent strings, especially on the lower register, enhancing its suitability for heavier styles. This tuning fosters both driving rhythmic patterns and expressive single-note melodies that naturally harmonize within the minor key.
How to Tune
To transform your guitar from standard EADGBe tuning to Open C# Minor, follow these steps:
- 6th String (Low E): Tune down 3 semitones to C#.
- 5th String (A): Tune down 1 semitone to G#.
- 4th String (D): Tune down 1 semitone to C#.
- 3rd String (G): Tune down 3 semitones to E.
- 2nd String (B): Tune down 3 semitones to G#.
- 1st String (High E): Tune down 3 semitones to C#.
All string movements in this tuning are within 3 semitones down. These adjustments are generally considered safe for standard gauge guitar strings. However, it's always advisable to tune carefully and gradually. If you plan to keep your guitar in this lower tuning for extended periods, or if you notice any string looseness or buzzing, you might consider using a heavier gauge string set and potentially having your guitar set up by a professional to ensure optimal playability and intonation.
6th String: C3#
5th String: G3#
4th String: C4#
3rd String: E3
2nd String: G4#
1st String: C5#
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Capos for C#G#C#EG#C#
Capo | Tuning | Name |
---|---|---|
-4 | AEACEA | Am |
-2 | BF#BDF#B | Open Bm Tuning |
-1 | CGCD#GC | Open C Minor Low |
0 | C#G#C#EG#C# | Open C# Minor |
1 | DADFAD | D Minor |
2 | D#A#D#F#A#D# | Oppen D# Tunning |
3 | EBEGBE | Open E Minor |
4 | FCFG#CF | Open F Minor |
5 | F#C#F#AC#F# | Cobra Tuning (modified) |
More C#G#C#EG#C# Resources
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Songs tuned to C#G#C#EG#C#
Artist | Song | Album | Tab |
---|---|---|---|
John Fahey | Red Pony | God, Time and Causality | |
Staind | Tangled Up In You | The Illusion of Progress | View Tab |
Please use the below form to submit a song for C#G#C#EG#C# that is not already on gtdb.org.
Videos for C#G#C#EG#C# on
Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -3
- -1
- -1
- -3
- -3
- -3