C#G#C#FCD# Guitar Tuner
C#G#C#FCD# | D♭A♭D♭FCE♭ Open C#maj9 - Guitar tuning, chords & scales
Verbal Analysis: The "American Football" Feel
As described by its creator, this 'Open C#maj9' tuning evokes a sense of "American football but a halfstep down." This suggests a powerful, resonant, and expansive sound with a slightly darker or heavier undertone. When strummed open, the C#maj9 chord delivers an immediately rich, full-bodied harmonic landscape that is both impactful and sophisticated. It moves beyond a simple power chord, offering a lush foundation that can be both driving and ethereal, perfect for creating deep sonic textures and emotive soundscapes. The lower pitch of C# combined with the extended harmony of a major 9th chord creates a unique blend of depth and complexity.
Technical Analysis: A Rich Harmonic Palette
This tuning is meticulously arranged to form a complete C# Major 9th chord when all open strings are strummed, providing an instant, complex harmonic voicing. The open notes are configured as follows, from the lowest (6th) string to the highest (1st) string:
- 6th String: C#3 (Root)
- 5th String: G#3 (Perfect Fifth)
- 4th String: C#4 (Octave)
- 3rd String: F3 (Major Third, enharmonically E#)
- 2nd String: C4 (Major Seventh, enharmonically B#)
- 1st String: D#5 (Major Ninth)
The comprehensive presence of the root, major third, perfect fifth, major seventh, and major ninth creates an incredibly dense, resonant, and harmonically complete chord. This makes the tuning exceptionally versatile and ideal for:
- Lush Chord Voicings: The open strings provide a sophisticated harmonic base. Barring across frets will easily transpose this rich chord structure, making it simple to explore various major 9th and major 7th voicings across the fretboard.
- Ambient and Jazz Music: The inherent complexity and resonance of the major 9th chord lend themselves perfectly to atmospheric soundscapes, intricate jazz progressions, and soulful compositions.
- Fingerstyle Exploration: The wide intervals and ringing open strings are perfect for intricate arpeggios, melodic lines, and creating a full, orchestra-like sound with a single guitar.
- Melodic Opportunities: The inclusion of all key chord tones (1, 3, 5, 7, 9) ensures that melodies crafted within the C# major scale will sound harmonious and full over the open strings, offering a rich canvas for improvisation.
- Accessible Chords: Due to the strong Major 9th foundation, many extended chords (e.g., C#maj7, C#6/9, G#m7, F#sus2) become easily reachable with minimal finger movement. Sliding common barre chord shapes up or down the neck will unlock a wealth of harmonically rich progressions.
How to Tune: Adjusting Your Strings
To achieve the 'Open C#maj9' tuning from standard EADGBe tuning, carefully follow these string adjustments:
- 6th String (Low E): Tune down 3 semitones from E to C#3.
- 5th String (A): Tune down 1 semitone from A to G#3.
- 4th String (D): Tune down 1 semitone from D to C#4.
- 3rd String (G): Tune down 2 semitones from G to F3.
- 2nd String (B): Tune up 1 semitone from B to C4.
- 1st String (High e): Tune down 1 semitone from E to D#5.
Please note that while these string movements are generally within safe ranges for standard string gauges (no string is tuned more than 4 semitones up or down), always tune carefully and gradually. Pay particular attention when tuning up a string to avoid breakage or neck stress.
The tuning consists of the following notes from the 6th (lowest) string to the 1st (highest) string:
6th String (Low E): C#3
5th String (A): G#3
4th String (D): C#4
3rd String (G): F3
2nd String (B): C4
1st String (High e): D#5
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Capos for C#G#C#FCD#
Capo | Tuning | Name |
---|---|---|
-4 | AEAC#G#B | Open Amaj9 |
-2 | BF#BD#A#C# | Visiting Friends Tuning |
-1 | CGCEBD | CGCEBD Cmaj9 |
0 | C#G#C#FCD# | Open C#maj9 |
1 | DADF#C#E | Open Dmaj9 |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -3
- -1
- -1
- -2
- 1
- -1