C#G#C#F#A#D#G# Guitar Tuner
C#G#C#F#A#D#G# | D♭A♭D♭G♭B♭E♭A♭ Low Drop C# - Guitar tuning, chords & scales
Tuning Overview: Low Drop C# for 7-String Guitar
The Low Drop C# tuning is a deeply resonant and powerful setup specifically designed for 7-string guitars, catering to players who demand a massive, heavy sound. As its name suggests, it centers around the key of C#, providing an incredibly low foundation that excels in genres like metal, djent, progressive rock, and other styles requiring extended low-end range and aggressive riffing.
Verbal Analysis:
This tuning transforms your 7-string into a veritable sonic beast. The fundamental C# note on the lowest string, combined with its perfect fifth (G#) and octave (C#) on the subsequent strings, creates an instant, bone-shaking C#5 power chord when strummed open. This "drop" configuration allows for effortless one-finger power chords across the bottom three strings, making fast, heavy riffing exceptionally fluid and powerful. The overall sonic landscape is dark, thick, and immensely impactful, perfect for chugging rhythms and crushing breakdowns. The lower register is incredibly rich, offering a distinct advantage for extended range compositions.
Technical Analysis:
From lowest to highest, the tuning is C#2 - G#2 - C#3 - F#3 - A#3 - D#4 - G#4.
- The lowest three strings (C#2, G#2, C#3) form an open C# power chord, providing a strong tonal center and immediate low-end grunt. This is a classic "drop" tuning characteristic, making the 7th string effectively a drop C# relative to the 6th string.
- The intervals from string 6 to 5, 5 to 4, 3 to 2, and 2 to 1 are all Perfect Fourths (G#-C#, C#-F#, A#-D#, D#-G#). This consistent intervallic relationship, apart from the Major Third between F#3 and A#3 (string 4 to 3), aids in adapting fingerings for scales and chords across the fretboard.
- The presence of C# and G# across multiple octaves (C#2, C#3, G#2, G#4) contributes to the tuning's full and resonant quality.
- While not forming a simple major or minor triad when all strings are strummed open, the tuning strongly emphasizes a C# tonality. The notes C#, D#, F#, G#, A# are all present, forming components of a C# minor pentatonic scale (C# D# F# G# A#).
Chordal Possibilities:
- Open C#5 Power Chord: Strumming strings 7, 6, and 5 (C#2, G#2, C#3) yields a massive C#5 power chord.
- One-Finger Power Chords: The "drop" configuration on the lowest three strings allows for easy power chords by simply barring a single finger across strings 7, 6, and 5. For example, fretting the 1st fret on these three strings will produce a D5 power chord.
- Open C#sus4: Including string 4 (F#3) with the bottom three creates an open C#sus4 chord (C# G# C# F#).
- Aggressive Riffing: The low, open fifths and octaves make this tuning incredibly suited for heavy, palm-muted riffs and chugging patterns.
- Scales: Familiar scale shapes will require adaptation, but the consistent perfect fourth intervals on most strings can facilitate moving certain intervallic patterns across the neck.
Current Tuning Notes (Open Strings):
String 7 (Lowest String): C2#
String 6: G2#
String 5: C3#
String 4: F3#
String 3: A3#
String 2: D4#
String 1 (Highest String): G4#
How to Tune:
This tuning involves significant drops for all strings compared to standard 7-string tuning (B-E-A-D-G-B-E). We strongly advise using a heavier gauge string set to maintain proper tension, intonation, and tone, especially given that all strings are tuned down by 8 semitones or more.
- String 7 (Original B2): Tune down 10 semitones to C2#. This is a very substantial drop, requiring careful attention to string tension.
- String 6 (Original E3): Tune down 8 semitones to G2#.
- String 5 (Original A3): Tune down 8 semitones to C3#.
- String 4 (Original D4): Tune down 8 semitones to F3#.
- String 3 (Original G4): Tune down 9 semitones to A3#.
- String 2 (Original B4): Tune down 8 semitones to D4#.
- String 1 (Original E5): Tune down 8 semitones to G4#.
Caution: Tuning down by more than 4 semitones for any string generally warrants considering a heavier string gauge to prevent excessive floppiness and maintain proper intonation. All strings in this tuning exceed that recommendation, so a custom heavy gauge string set is highly recommended for optimal playability and sound.
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Capos for C#G#C#F#A#D#G#
Capo | Tuning | Name |
---|---|---|
0 | C#G#C#F#A#D#G# | Low Drop C# |
1 | DADGBEA | Double Drop D 7-String |
3 | EBEAC#F#B | E B E A C# F# B |
5 | F#C#F#BD#G#C# | F#C#F#BD#G#C# |
7 | G#D#G#C#FA#D# | 7-String Drop Ab |
8 | AEADF#BE | 7-String Alternate Drop A |
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Tuning Map
- Fret
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- B
- E
- A
- D
- G
- B
- E
- -11
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- D
- G
- C
- F
- A#
- D
- G
- -8
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- E
- A
- D
- G
- C
- E
- A
- -6
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- F#
- B
- E
- A
- D
- F#
- B
- -4
- G
- C
- F
- A#
- D#
- G
- C
- -3
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- A
- D
- G
- C
- F
- A
- D
- -1
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- B
- E
- A
- D
- G
- B
- E
- 1
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- D
- G
- C
- F
- A#
- D
- G
- 4
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- E
- A
- D
- G
- C
- E
- A
- 6
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- F#
- B
- E
- A
- D
- F#
- B
- -10
- -8
- -8
- -8
- -9
- -8
- -8