C#G#C#F#G#D# Guitar Tuner
C#G#C#F#G#D# | D♭A♭D♭G♭A♭E♭ Samuel - Guitar tuning, chords & scales
This unique guitar tuning, originally conceived by a user seeking a personal and distinct sonic signature, offers a refreshing departure from standard guitar voicings. It's designed to inspire new melodic and harmonic ideas, providing a rich, open harmony perfect for exploration.
Technical Analysis
The open strings are tuned to C#3, G#3, C#4, F#4, G#4, D#5. This arrangement creates a captivating and resonant sound:
- The foundation is built upon the root note C#, with the lowest three strings (C#3, G#3, C#4) forming a robust C#5 power chord, providing a powerful and stable base.
- Across all six strings, the collective notes (C#, G#, F#, D#) clearly outline a C#sus4(add9) chord (C#, F#, G#, D#). This gives the tuning a naturally suspended and open quality, eschewing the immediate resolution of a major or minor third for a more expansive feel.
- The intervals between strings are: Perfect 5th (C#3-G#3), Perfect 4th (G#3-C#4), Perfect 4th (C#4-F#4), Major 2nd (F#4-G#4), and Perfect 5th (G#4-D#5). This blend of fourths, fifths, and a major second creates an interesting balance of stable and slightly dissonant intervals, offering both harmonic strength and melodic tension.
- This tuning is exceptionally well-suited for drone-based playing, intricate fingerstyle compositions, and creating expansive, ambient soundscapes. The open C#sus4(add9) chord itself is a beautiful and inspiring starting point.
- Due to the prevalence of perfect fourths and fifths in the lower strings, power chords and simple open voicings become easily accessible. For instance, barring across the C#3, G#3, C#4, F#4 strings will immediately yield a strong C#sus4 voicing, which can then be moved up the neck to create other suspended chords.
- The F#4-G#4 major second interval between the 4th and 3rd strings (relative to standard tuning's G and B strings) adds a unique melodic flavor, allowing for quick hammer-ons/pull-offs or subtle embellishments within the overarching suspended harmony.
Experimenting with a slide or utilizing open string drones against moving bass lines could yield impressive and evocative results with this distinct tuning.
Open String Notes
String 6: C#3
String 5: G#3
String 4: C#4
String 3: F#4
String 2: G#4
String 1: D#5
How to Tune
To achieve the 'C# Open Sus4/add9' tuning from standard EADGBe tuning (E3, A3, D4, G4, B4, E5), follow these steps:
- String 6 (Low E): Tune down 3 semitones from E3 to C#3.
- String 5 (A): Tune down 1 semitones from A3 to G#3.
- String 4 (D): Tune down 1 semitones from D4 to C#4.
- String 3 (G): Tune down 1 semitones from G4 to F#4.
- String 2 (B): Tune down 3 semitones from B4 to G#4.
- String 1 (High E): Tune down 1 semitones from E5 to D#5.
Note: All string movements for this tuning are within 3 semitones down. This is generally safe for standard gauge guitar strings. Always tune slowly and carefully to avoid unnecessary stress on the strings and bridge.
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Capos for C#G#C#F#G#D#
Capo | Tuning | Name |
---|---|---|
-4 | AEADEB | Sakura |
-1 | CGCFGD | Wacky |
0 | C#G#C#F#G#D# | Samuel |
1 | DADGAE | Open A Sus4 |
2 | D#A#D#G#A#F | Dadgad Sharp (d# A# D# G# A# D#) |
3 | EBEABF# | EBEABF# |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -3
- -1
- -1
- -1
- -3
- -1