C#G#C#GG#A# Guitar Tuner
C#G#C#GG#A# | D♭A♭D♭GA♭B♭ C#allum - Guitar tuning, chords & scales
Tuning Description: c#allum
The tuning named "c#allum", also known as "Great white sharp" by its creator, offers a formidable and deeply resonant sonic landscape. This tuning plunges your guitar into a rich, low C# tonality, making it ideal for powerful, driving riffs in genres like heavy rock, metal, or for crafting dark, atmospheric soundscapes. The open strings immediately establish a commanding C# power chord (C#3-G#3-C#4), providing a solid, aggressive foundation. The inclusion of G3, G#4, and A#5 adds intriguing harmonic possibilities, allowing for a blend of crushing low-end impact with sparkling, potentially dissonant, higher voicings.
Open String Notes:
- String 6 (Lowest string, typically Low E): C#3
- String 5 (Typically A string): G#3
- String 4 (Typically D string): C#4
- String 3 (Typically G string): G3
- String 2 (Typically B string): G#4
- String 1 (Highest string, typically High E): A#5
Technical Analysis:
Analyzing the intervals between adjacent open strings:
- String 6 (C#3) to String 5 (G#3): A Perfect Fifth (P5). This classic power chord interval provides immediate weight and drive.
- String 5 (G#3) to String 4 (C#4): A Perfect Fourth (P4). This reinforces the C# root an octave higher, solidifying the C# power chord.
- String 4 (C#4) to String 3 (G3): A Diminished Fifth (d5), or tritone. This introduces a strong, captivating dissonance and tension, which can be leveraged for dramatic effect or quick resolutions.
- String 3 (G3) to String 2 (G#4): An Augmented Unison plus an Octave (G to G# is an augmented unison, then up an octave). This is a significant pitch jump and a tension point, allowing for ringing, sustained, and shimmering sounds.
- String 2 (G#4) to String 1 (A#5): A Major Second (M2). This interval is excellent for melodic phrasing and creating tight harmonic clusters.
Chords and Harmonic Possibilities:
- The lowest three strings (C#3, G#3, C#4) form an undeniable and robust C#5 power chord, ready for heavy riffing.
- The open G3 (String 3) introduces a prominent tritone against the C# root, suggesting dominant G7 tonalities or a complex C#sus4(b5) or C#b5sus if all lower strings are strummed. This dissonance can be highly expressive.
- The G#4 and A#5 notes in the higher register provide excellent melodic potential and hints of G# Major/Minor or A# Major/Minor tonalities, allowing for rich upper harmonies or leading tones.
- Due to the wide and varied intervals, strumming all open strings together may create a complex, dissonant yet full sound, often encouraging selective string playing or arpeggiation to highlight specific harmonic ideas.
How to Tune to "c#allum"
Follow these instructions to tune your guitar to the c#allum tuning. The semitone movements are relative to an unspecified starting point, so always refer to the target note.
String 6 (Lowest String): Tune to C#3. This involves tuning down 3 semitones. While not exceeding the four-semitone guideline, tuning down 3 semitones is a significant drop. Consider using a slightly heavier gauge string to maintain optimal tension and tone for this string.
String 5: Tune to G#3. This involves tuning down 1 semitone.
String 4: Tune to C#4. This involves tuning down 1 semitone.
String 3: Tune to G3. Keep as is; no change (0 semitones).
String 2: Tune to G#4. This involves tuning down 3 semitones. Similar to String 6, a heavier gauge string might be beneficial for ideal string tension and tone.
String 1 (Highest String): Tune to A#5. This involves tuning up 6 semitones. Caution advised: Tuning up 6 semitones is a very substantial increase in string tension. It is strongly recommended to use a lighter gauge string for this position to prevent string breakage and avoid excessive stress on your instrument's neck. Proceed with extreme care, monitoring your guitar as you tune.
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Capos for C#G#C#GG#A#
Capo | Tuning | Name |
---|---|---|
0 | C#G#C#GG#A# | C#allum |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -3
- -1
- -1
- 0
- -3
- 6