C#G#C#G#A#D# Guitar Tuner
C#G#C#G#A#D# | D♭A♭D♭A♭B♭E♭ C#g#c#g#a#d# - Guitar tuning, chords & scales
Verbal Analysis: C# DADABE Resonance
The C# DADABE Resonance tuning delves into the lower registers, offering a dark, heavy, and immensely resonant soundscape. It's explicitly described as a variation of Drop C# but with the crucial third string raised, drawing inspiration from the harmonic possibilities of DADABE tuning, albeit pitched a full step lower. This creates a unique blend of drop tuning power and open string chime, perfect for genres requiring a thick, driving low end with opportunities for melodic voicing.
Technical Analysis
This tuning sets your guitar strings to: C#3 - G#3 - C#4 - G#4 - A#4 - D#5 (from low E to high E string).
- Intervals: The intervals between the open strings are particularly distinctive: Perfect 5th (C#3-G#3), Perfect 4th (G#3-C#4), Perfect 5th (C#4-G#4), Major 2nd (G#4-A#4), and Perfect 4th (A#4-D#5). This pattern creates a rich harmonic canvas, especially with the repeated C# and G# notes.
- Resonance & Power: The presence of an open C# and G# on multiple strings (C# on 6th and 4th strings, G# on 5th and 3rd strings) leads to incredible resonance and sustain. The low C# on the 6th string provides a deep, authoritative root note, making it exceptionally powerful for heavy riffs and chugging.
- DADABE Influence: The tuning mirrors the intervallic structure of DADABE (D-A-D-A-B-E) but shifted down by a whole step across all strings, resulting in its C# G# C# G# A# D# configuration. This heritage suggests a capacity for open, ringing chords and drone-like textures characteristic of that style, but with a significantly lower, more brooding feel.
Open Chords and Accessibility
While not designed for standard open major/minor chord strumming, the C# DADABE Resonance tuning excels in specific areas:
- Power Chords Dominance: The stacked C# G# C# G# on the bottom four strings makes it incredibly easy to execute massive power chords. A single finger barre across these strings at any fret will instantly yield a powerful root-fifth-octave-fifth chord. For example, fretting the 1st fret across strings 6-3 will produce a formidable D5 power chord.
- Drone & Riffing Capabilities: The open C# and G# notes can serve as strong drones, providing a stable harmonic base for melodic lines or intricate single-note riffs, especially in the lower and mid-ranges. This is ideal for atmospheric passages or driving, rhythmic patterns.
- Unconventional Voicings: The unique Major 2nd (G# to A#) and Perfect 4th (A# to D#) intervals on the higher strings encourage exploration beyond conventional chord shapes. This opens up opportunities for crafting distinctive, sometimes dissonant, or suspended voicings that can add a modern and edgy flavour to your music. Experiment with partial barres and unusual fingerings to discover new harmonic possibilities.
Tuning Notes Overview
String 6 (Low E String): Tuned to C#3
String 5 (A String): Tuned to G#3
String 4 (D String): Tuned to C#4
String 3 (G String): Tuned to G#4
String 2 (B String): Tuned to A#4
String 1 (High E String): Tuned to D#5
How to Tune
- String 6 (Low E): Tune down 3 semitones to C#3.
- String 5 (A): Tune down 1 semitone to G#3.
- String 4 (D): Tune down 1 semitone to C#4.
- String 3 (G): Tune up 1 semitone to G#4.
- String 2 (B): Tune down 1 semitone to A#4.
- String 1 (High E): Tune down 1 semitone to D#5.
Important Note on String Tension: All string adjustments for this specific tuning (C# DADABE Resonance) fall within a safe range, generally moving up or down no more than 4 semitones from standard. Therefore, a change in string gauge is typically not required. However, as a general rule, for any tuning involving more extreme movements (beyond approximately +/- 4 semitones), consider using a different gauge string to maintain optimal playability, intonation, and to avoid potential string breakage or undue neck tension.
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Comments - have your say on C#G#C#G#A#D#
Capos for C#G#C#G#A#D#
| Capo | Tuning | Name |
|---|---|---|
| -2 | BF#BF#G#C# | Tight B |
| -1 | CGCGAD | CGCGAD |
| 0 | C#G#C#G#A#D# | C#g#c#g#a#d# |
| 1 | DADABE | Slacker/Pavement |
| 2 | D#A#D#A#CF | F7sus4 |
| 3 | EBEBC#F# | F#7sus4 |
| 4 | FCFCDG | G7sus4 |
| 6 | GDGDEA | Someone Like You A7sus4 |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -3
- -1
- -1
- 1
- -1
- -1
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