This unique guitar tuning, aptly named "Weird Power and minor one finger chord tuning," is designed to open up new harmonic possibilities with surprising ease of fingering. It fundamentally alters the standard tuning to provide specific chord voicings and melodic structures directly from the open strings.

Verbal Analysis

This tuning delivers on its promise by making complex-sounding chords accessible with minimal effort. The lower three strings (6th, 5th, and 4th) create a rich suspended chord, specifically a C#sus2 (C# D# G#). This allows players to easily bar these strings to form movable suspended chords up and down the neck, perfect for atmospheric textures or powerful, open voicings. The design encourages a 'one-finger chord' approach, making it ideal for creating droning effects or quick chord changes.

Simultaneously, the higher three strings (3rd, 2nd, and 1st) are tuned to form a G minor triad (G A# D). This is another 'one-finger' chord that can be barred and moved, providing immediate access to a full minor chord sound. The juxtaposition of a suspended chord on the bass strings and a minor chord on the treble strings offers a fascinating sonic landscape, allowing for intricate harmonic interplay even with simple fretting. This tuning would be excellent for genres like progressive rock, ambient music, or anything that benefits from unique, resonant chord voicings.

Technical Analysis

The open strings are tuned to C#3 G#3 D#4 G3 A#4 D4, from lowest to highest. Let's break down the intervals and implications:

• Strings 6-5-4 (C#3, G#3, D#4): These strings form a C#sus2 chord (C#, G#, D#). The intervals are a perfect fifth (C# to G#) followed by another perfect fifth (G# to D#), making it a stacked fifths structure with the root, fifth, and ninth. By barring these three strings at any fret, you instantly get a movable suspended second chord. For instance, barring at the 2nd fret would yield a D#sus2 chord.
• Strings 3-2-1 (G3, A#4, D4): These strings form a G minor triad (G, A#, D). The interval from G3 to A#4 is a minor third (up 3 semitones, accounting for octave displacement), and from A#4 to D4 is a perfect fifth descending (or a major sixth ascending from G3 to D4). Barring these three strings at any fret will give you a movable minor chord. For example, barring at the 2nd fret would produce an A minor chord.
• Overall Structure: The tuning creates two distinct, easily accessible chordal blocks. The jump between the 4th string (D#4) and the 3rd string (G3) is a significant descending major 6th, which creates an interesting separation between the bass and treble voicings, allowing them to function somewhat independently or to be blended for dense harmonic clusters. The original description notes the lower three strings form a "one finger chord" (C#sus2) and the higher three form "a minor one finger chord" (G minor), which is accurately reflected in the note analysis. The specific mention of the third lowest string (D#4) being a "low 6th of the minor chord" is somewhat ambiguous in a direct G minor context, but its role as the 9th of the C#sus2 and its relationship to the G minor offers unique voice leading opportunities.

How to Tune

To achieve the "Weird Power and minor one finger chord tuning" from standard EADGBe tuning, follow these precise string adjustments. All movements are within a safe range for standard gauge strings.

• 6th String (Low E): Tune down 3 semitones to C#3.
• 5th String (A): Tune down 1 semitone to G#3.
• 4th String (D): Tune up 1 semitone to D#4.
• 3rd String (G): Keep as is; no change (0 semitones) to G3.
• 2nd String (B): Tune down 1 semitone to A#4.
• 1st String (High E): Tune down 2 semitones to D4.

Note: While all tuning adjustments are moderate, always tune carefully and ensure your guitar's intonation is checked after significant changes.

The open strings for this tuning are set as follows:

• 6th String: C#3
• 5th String: G#3
• 4th String: D#4
• 3rd String: G3
• 2nd String: A#4
• 1st String: D4