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C#G#G#EA#C# Guitar Tuner

C#G#G#EA#C# | D♭A♭A♭EB♭D♭ BM C# Low Drop - Guitar tuning, chords & scales

Description - BM C# Low Drop

very specific tuning for very cool band

Description of BM C# Low Drop Tuning

This tuning, designated as BM C# Low Drop, is a highly specialized and powerful configuration for the guitar, perfectly suited for the "very cool band" it was designed for. It offers a unique sonic landscape, combining an incredibly deep foundation with striking upper-register voicings.

Verbal Analysis

The BM C# Low Drop tuning delivers a heavy, guttural sound with significant bottom-end power. The foundational C# provides a dark, menacing core, ideal for genres such as extreme metal, doom, progressive rock, or experimental music. The unconventional intervals create a rich, complex harmonic texture that can range from crushing dissonance to surprisingly melancholic or soaring melodic lines. It’s a tuning designed not for casual strumming, but for crafting specific, impactful riffs and atmospheric soundscapes.

Technical Analysis

  • Open Notes: The open strings are tuned to C#2, G#2, G#2, E2, A#3, C#4 (from low to high).
  • Power Foundation: The lowest three strings (C#2, G#2, G#2) immediately form an incredibly thick and resonant C#5 power chord. The unison G#2 on both the 5th and 4th strings creates an exceptionally dense wall of sound, making powerful, driving riffs effortless.
  • Deep Inversion: The 3rd string tuned to E2 is particularly noteworthy as it is lower in pitch than the preceding G#2 on the 4th string. This creates a dramatic drop, adding a unique low-end rumble and an inverted minor third relationship (C# E G#) that contributes to a dark, somber harmonic character when played with the lower strings. This effectively forms a C# minor triad with an exceptionally low E.
  • Upper Register Tension: The top two strings (A#3, C#4) are tuned a minor third apart. C#4 is an octave above the lowest C#2, providing a clear tonal center in the higher register. The A#3 (Bb3) introduces a b6 interval relative to C#, or a #4/b5 relative to the E2, adding a piercing, melodic counterpoint or a sharp dissonance depending on context.
  • Overall Open Chord: Playing all open strings (C#2 G#2 G#2 E2 A#3 C#4) creates a dense, complex voicing. It can be perceived as a C# minor chord (C# E G#) with a strong C#5 foundation, augmented by the high A#3 and C#4. This combination is not designed for traditional chord voicings but rather for unique, open-string resonant structures and the basis for aggressive riffing.

Chords and Playability

This tuning excels at facilitating massive power chords and low, heavy riffs:

  • C#5 Power Chords: The open 6th, 5th, and 4th strings make a colossal C#5 power chord immediately accessible. Moving this shape up the fretboard (e.g., barring all three at the 1st fret for D5, 3rd fret for E5, etc.) allows for easy construction of heavy power chords.
  • Unison Thickening: The identical G#2 notes on the 5th and 4th strings offer a unique thickness to single-note lines or two-string power chords.
  • Drone Potential: The deeply set E2 on the 3rd string, combined with the C#2, creates opportunities for resonant drones and sustained low notes, adding to the tuning's atmospheric capabilities.
  • Unique Voicings: Due to the non-standard intervals, traditional chord shapes will need to be re-learned. However, this opens up a world of fresh, unexpected voicings and melodic possibilities that are characteristic of the band's "very specific" sound.

How to Tune

To achieve the BM C# Low Drop tuning, follow these specific instructions for each string. Please note that for optimal performance with such low tunings, a heavier gauge string set is generally recommended to maintain proper tension and intonation, especially for the C#2 and E2 notes.

  • String 6 (Low E String) - Target Note: C#2: Keep as is; no change (0 semitones). This implies your base tuning for this string is already C#2.
  • String 5 (A String) - Target Note: G#2: Tune up 2 semitones.
  • String 4 (D String) - Target Note: G#2: Tune down 3 semitones.
  • String 3 (G String) - Target Note: E2: Keep as is; no change (0 semitones). This implies your base tuning for this string is already E2.
  • String 2 (B String) - Target Note: A#3: Tune up 1 semitone.
  • String 1 (High E String) - Target Note: C#4: Tune down 1 semitone.


The open notes for the BM C# Low Drop tuning are as follows (from lowest to highest string):

  • String 6: C#2
  • String 5: G#2
  • String 4: G#2
  • String 3: E2
  • String 2: A#3
  • String 1: C#4

C#
G#
G#
E
A#
C#

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Capos for C#G#G#EA#C#

Capo Tuning Name
0 C#G#G#EA#C# BM C# Low Drop

Scales for C#G#G#EA#C#

A A# B C C# D

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