DAC#F#C#E Guitar Tuner
DAC#F#C#E | DAD♭G♭D♭E Open D Major 9 Type - Guitar tuning, chords & scales
Verbal Analysis
Welcome to the captivating world of the 'open d major 9 type' tuning! As its original description suggests, this is a "Mixed d major 9. good for twinkling your days away in your bed." This tuning is designed to evoke a rich, expansive, and somewhat dreamy sonic landscape. It's perfect for creating atmospheric textures, gentle arpeggios, and lush chord voicings that resonate beautifully. Imagine soft, shimmering sounds that can truly transport you, making it ideal for ambient pieces, fingerstyle compositions, or simply exploring new harmonic possibilities in a relaxed setting.
Technical Analysis
This tuning sets up the guitar to ring out a full D Major 9 chord (D-F#-A-C#-E) when strummed open, making it incredibly inspiring for songwriting and improvisation. Let's break down the notes:
- String 6 (Low D): D2 (Root)
- String 5 (A): A2 (Perfect 5th)
- String 4 (C#): C#4 (Major 7th)
- String 3 (F#): F#4 (Major 3rd)
- String 2 (C#): C#5 (Major 7th, one octave higher)
- String 1 (High E): E4 (Major 9th)
The open strings directly form a D Major 9 chord (D F# A C# E). This means you can achieve a sophisticated, full-bodied sound with minimal effort, simply by strumming all open strings. The duplicate C# notes on strings 4 and 2 (C#4 and C#5) create a beautiful, ringing resonance that adds depth and sparkle to the open chord.
Chords within Reach:
- Open Chord Majesty: As mentioned, a glorious Dmaj9 chord is at your fingertips by simply strumming the open strings. This provides an immediate, rich harmonic foundation.
- Barre Chords: By barring a single finger across a fret (e.g., all strings at the 2nd fret), you can easily transpose this Dmaj9 shape up the neck, yielding an Emaj9. Moving it to the 5th fret gives you Gmaj9, and so on. This makes navigating through major 9th chords incredibly intuitive and accessible across the fretboard.
- Droning Possibilities: The low D2 and A2 provide a strong, resonant fundamental, allowing you to use them as drones while fretting notes on the higher strings for melodic or harmonic embellishments. This creates a deep, sustained backdrop for your melodies.
- Unique Voicings: The unique arrangement of the D (root), F# (major 3rd), A (perfect 5th), C# (major 7th), and E (major 9th) provides rich harmonic content. Experiment with lifting fingers or adding single notes to create suspensions, minor 9ths (by lowering the F# to F natural), or even dominant 9ths (by changing C# to C natural). The doubled C# notes add a special quality to these voicings.
- Inversions: By selectively muting strings or changing the bass note, you can create interesting inversions and variations of the Dmaj9, adding further dimension to your playing. The high E (9th) and C# (7th) lend themselves to beautiful higher-register voicings that can shimmer over the lower notes.
This tuning encourages an atmospheric, open-string approach, making complex jazz-like harmonies accessible and resonant. It's a tuning that rewards exploration and allows for a rich, full sound with relatively simple fretboard movements.
How to Tune Your Guitar for 'open d major 9 type'
Here are the specific instructions to tune your guitar to the 'open d major 9 type' tuning. Please proceed carefully, especially when tuning strings up, and ensure your guitar is stable.
- String 6 (Low E String):
Tune down 2 semitones. The final target note for this string is D2. - String 5 (A String):
Keep as is; no change (0 semitones). The final target note for this string is A2. - String 4 (D String):
Tune down 1 semitone. The final target note for this string is C#4. - String 3 (G String):
Tune down 1 semitone. The final target note for this string is F#4. - String 2 (B String):
Tune up 2 semitones. The final target note for this string is C#5. - String 1 (High E String):
Keep as is; no change (0 semitones). The final target note for this string is E4.
Important String Gauge Advice:
For significant tuning changes, especially those exceeding 4 semitones up or down, it is generally recommended to consider a different gauge string to ensure proper tension, intonation, and to prevent potential damage to your guitar or strings. In this tuning, all individual string adjustments (maximum +2 or -2 semitones) fall within the recommended safe range for standard gauge strings. However, always listen to your guitar, ensure your instrument is stable, and exercise caution during any tuning process, especially when tuning strings up.
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Comments - have your say on DAC#F#C#E
Capos for DAC#F#C#E
| Capo | Tuning | Name |
|---|---|---|
| 0 | DAC#F#C#E | Open D Major 9 Type |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -2
- 0
- -1
- -1
- 2
- 0
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