DADGCC# Guitar Tuner
DADGCC# | DADGCD♭ Drop D, Open Panic Chord - Guitar tuning, chords & scales
This unique Guitar tuning, aptly named "Drop D, Open Panic Chord," is specifically designed to facilitate the creation of intense 90s metalcore breakdowns and those notoriously difficult "panic chords" with surprising ease. It combines the low-end growl of Drop D with a highly dissonant cluster on the higher strings, making it perfect for aggressive, experimental, and heavy genres.
Technical Analysis:
The open notes of this tuning are D2 A2 D3 G3 C4 C#5, from lowest to highest string.
- The foundation is laid by a Drop D configuration (D-A-D) on the bottom three strings (D2-A2-D3). This provides a powerful, resonant base, perfect for heavy riffs and easily accessible power chords by barring a single fret across these strings. The low D string offers a guttural extension to the instrument's range.
- Moving up, the G3 (4th string) creates a Perfect 4th interval with the D3 below it, and the C4 (3rd string) forms another Perfect 4th with the G3. This 'fourths' stacking on the middle strings allows for interesting intervallic playing and adds to the harmonic complexity.
- The true "panic" element emerges on the top two strings: C4 (2nd string) and C#5 (1st string). This forms an incredibly tight and dissonant minor second (semitone) interval. This close proximity of C and C# is the core of the tuning's unique sound, ensuring a harsh, clashing, and tension-filled voicing when these strings are played together.
Open Chords and Playability:
- Strumming all open strings (D2-A2-D3-G3-C4-C#5) yields the namesake "Panic Chord." This is essentially a D chord (D-A-D) with added G (sus4), C (b7), and C# (maj7). The simultaneous presence of C and C# creates a highly dissonant, metallic cluster, ideal for jarring breakdowns and experimental harmony.
- The Drop D base makes power chords effortless; simply barring across the bottom three strings at any fret will produce a robust power chord (e.g., fretting 3rd fret on D-A-D gives an F5 power chord).
- Due to the close voicings on the top strings, traditional open chords will be challenging or produce unconventional sounds. However, this opens up possibilities for two-string dissonant clusters or specific arpeggios that leverage the unique intervals. Experimentation with partial chords and single-note lines on the higher strings is highly encouraged to fully exploit the "panic" effect.
This tuning is not for the faint of heart or those seeking sweet harmonies. It's a tool for sonic aggression, designed to deliver impact and unease, making it a powerful choice for modern metalcore and avant-garde guitarists.
How to Tune:
Follow these instructions carefully to achieve the "Drop D, Open Panic Chord" tuning. Please take care when tuning, especially with larger semitone movements.
- String 6 (Low E String): Tune down 2 semitones to reach D2.
- String 5 (A String): Keep as is; no change (0 semitones) to remain A2.
- String 4 (D String): Keep as is; no change (0 semitones) to remain D3.
- String 3 (G String): Keep as is; no change (0 semitones) to remain G3.
- String 2 (B String): Tune up 1 semitone to reach C4.
- String 1 (High E String): Tune down 3 semitones to reach C#5.
Note: All string movements are within recommended limits for standard string gauges. Always tune carefully and check string tension.
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Capos for DADGCC#
| Capo | Tuning | Name |
|---|---|---|
| 0 | DADGCC# | Drop D, Open Panic Chord |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -2
- 0
- 0
- 0
- 1
- -3
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