DADG#BE Guitar Tuner
DADG#BE | DADA♭BE DADG#BE - Guitar tuning, chords & scales
Sonic Bloom D Tuning
The Sonic Bloom D Tuning (DADG#BE) is a distinctive and atmospheric setup, famously associated with bands like My Bloody Valentine, where its unique harmonic properties contribute to a signature shoegaze sound. This tuning departs significantly from standard E-Standard, immediately establishing a resonant, open quality with a striking dissonant-yet-melodic tension, as noted in its description: "Used in some of MBV songs. DADG#BE".
Verbal Analysis
This tuning conjures a rich, expansive soundscape. The low D-A-D triad provides a powerful, droning foundation, reminiscent of Drop D or DADGAD tunings, offering deep bass and clear fifths. However, the introduction of the G# on the third string is the true sonic character builder. This note creates an augmented fourth (or diminished fifth) interval against the open D strings, generating a shimmering, slightly unsettling yet beautiful tension. When strummed open, the full D-A-D-G#-B-E creates a complex, extended chord that is neither purely major nor minor, but rather a dreamy, ambiguous harmony that lends itself to lush textures and swirling sound walls. It's ideal for open string drones, arpeggiated figures, and creating unique chord voicings that would be difficult or impossible in standard tuning.
Technical Analysis
Relative to standard E-Standard tuning (E-A-D-G-B-E), this tuning's open strings are D2, A2, D3, G#3, B3, E4. The primary alterations are the 6th string (E) down to D and the 3rd string (G) up to G#. The 5th, 4th, 2nd, and 1st strings remain at their standard pitches relative to A, D, B, and E respectively.
- 6th String (D2): Tuned down a whole step (2 semitones) from E.
- 5th String (A2): Standard A. Forms a Perfect 5th (P5) with the 6th string (D).
- 4th String (D3): Standard D. Forms a Perfect Octave (P8) with the 6th string (D) and a Perfect 4th (P4) with the 5th string (A).
- 3rd String (G#3): Tuned up a semitone from G. Creates an Augmented 4th (A4) or Diminished 5th (d5) interval with the open D strings (D2, D3). This interval (D to G#) is the most defining characteristic, providing significant harmonic tension. (Note: The original JSON's 'tuning_notes' specifies G4# for this string, which would be an octave higher than a standard G string can typically sustain. For practical playability and deriving harmonic analysis from a standard guitar setup, G#3 is assumed based on the 'string_movements' instruction to tune up 1 semitone from a standard G string, G3.)
- 2nd String (B3): Standard B. Forms a Minor 3rd (m3) with the 3rd string (G#) and a Major 6th (M6) with the 4th string (D).
- 1st String (E4): Standard E. Forms a Perfect 4th (P4) with the 2nd string (B) and a Major 2nd (M2) with the 4th string (D).
The open D-A-D-G#-B-E configuration suggests chords rich in extensions and dissonance. The D-A-D provides a strong root and fifth. The G# acts as a #4 or b5, leading to voicings such as Dadd#11 (D-A-D-G#-B-E) or a Dsus2 with a raised fourth. The inclusion of B (6th) and E (9th) further extends the harmony. Chords that become readily accessible include variations of D6/9#11, allowing for open, ringing sounds with unique harmonic color. Barre chords across the lower D-A-D strings will immediately yield powerful fifths, while fingers on the higher strings can add the characteristic G#, B, and E intervals to create lush and complex voicings.
How to Tune
To achieve the DADG#BE tuning from standard E-Standard:
- 6th String (Low E): Tune down 2 semitones to D2.
- 5th String (A): Keep as is; no change (0 semitones) at A2.
- 4th String (D): Keep as is; no change (0 semitones) at D3.
- 3rd String (G): Tune up 1 semitones to G#3. (Caution: Tuning up can increase string tension.)
- 2nd String (B): Keep as is; no change (0 semitones) at B3.
- 1st String (High E): Keep as is; no change (0 semitones) at E4.
Note: For tuning changes exceeding 4 semitones up or down, it is generally recommended to consider a different gauge string to maintain optimal playability and string longevity. This tuning involves minor adjustments within safe limits for standard guitar strings.
String 6: D2
String 5: A2
String 4: D3
String 3: G4#
String 2: B3
String 1: E4
Comments - have your say on DADG#BE
Capos for DADG#BE
| Capo | Tuning | Name |
|---|---|---|
| -5 | AEAD#F#B | Drop A |
| -3 | BF#BFG#C# | 'Ten Ton Skeleton' Tuning |
| -1 | C#G#C#GA#D# | Tomboy Tuning 2 |
| 0 | DADG#BE | DADG#BE |
More DADG#BE Resources
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -2
- 0
- 0
- 1
- 0
- 0
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