DAEF#AD Guitar Tuner
DAEF#AD | DAEG♭AD Open Dadd9 Rhythm - Guitar tuning, chords & scales
This unique guitar tuning, which we've named Open Dadd9 Rhythm, is a fantastic choice for players looking for a rich, resonant sound suitable for rhythm playing and melodic exploration. Based on the "DAEF#AD" structure, it's aptly described as a "Drop D open melodic tuning" that facilitates "simple chords good for rhythm."
Verbal Analysis
At its core, this tuning provides a powerful and harmonious open D major sound, enhanced by an added 9th (E). When strummed open, all strings ring out a beautiful Dadd9 chord (D - A - E - F# - A - D), giving it an immediate, full-bodied resonance. This makes it incredibly easy to create lush soundscapes; simply barring across any fret will produce a parallel Dadd9 chord in a new key. The low D string establishes a strong, deep root, while the high D provides a bright octave. The presence of F# (the major third) ensures a bright, happy tonality, and the E (the ninth) adds a sophisticated, slightly jazzy or contemporary feel. It's particularly well-suited for acoustic fingerpicking, slide guitar, or driving rock rhythms where a rich, open chord sound is desired.
Technical Analysis
- Instrument Type: Guitar
- Original Tuning Name: DAEF#AD
- Open String Notes (from low E to high E): D2 - A2 - E3 - F#3 - A3 - D4.
- Chord Analysis: The open strings collectively form a D Major 9th chord (Dadd9). The intervals from the root (D) are: Root (D), Perfect 5th (A), Major 9th (E), Major 3rd (F#), Perfect 5th (A), Octave (D). This makes it an incredibly versatile open chord for songwriting and improvisation.
- Relationship to Standard Tuning: This tuning deviates significantly from standard EADGBe. It incorporates a classic "Drop D" element by tuning the low E string down to D. The most notable changes from a typical Open D (DADF#AD) are the 4th string (tuned up from D to E) and the 3rd string (tuned down from G to F#), which are crucial for achieving the distinctive Dadd9 voicing.
- Chord Voicings: Due to the open Dadd9, simple one or two-finger shapes can yield powerful results. Barre chords become full Dadd9 voicings. Moving a single finger on the 3rd string (F#) can easily transform the sound; for example, lowering it to F (on a D string equivalent) would create a minor tonality.
How to Tune to Open Dadd9 Rhythm (DAEF#AD)
To achieve this rich and melodic tuning, you'll be adjusting several strings from standard EADGBe tuning. Please note the recommended string movements below. Always tune carefully, especially when increasing string tension.
- String 6 (Low E): Tune down 2 semitones (a full step) from E2 to D2.
- String 5 (A): Keep as is; no change (0 semitones) from A2 to A2.
- String 4 (D): Tune up 2 semitones (a full step) from D3 to E3.
- String 3 (G): Tune down 1 semitone (a half step) from G3 to F#3.
- String 2 (B): Tune down 2 semitones (a full step) from B3 to A3.
- String 1 (High E): Tune down 2 semitones (a full step) from E4 to D4.
Important Note on String Gauge: Most of these string movements are within a safe range for standard guitar strings. Generally, tuning a string up or down by 5 or more semitones suggests a different string gauge might be advisable for optimal playability and string longevity. For this tuning, the highest change is +2 semitones on String 4 (D to E), which is generally acceptable for most standard gauges, but always exercise caution when increasing string tension.
Comments - have your say on DAEF#AD
Capos for DAEF#AD
| Capo | Tuning | Name |
|---|---|---|
| -3 | BF#C#D#F#B | Badd9 |
| -2 | CGDEGC | Joni Mitchell |
| -1 | C#G#D#FG#C# | Two Weeks <3 |
| 0 | DAEF#AD | Open Dadd9 Rhythm |
| 1 | D#A#FGA#D# | CGCEGC Capo 3 |
| 2 | EBF#G#BE | Two Weeks |
| 3 | FCGACF | Fadd9 |
More DAEF#AD Resources
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -2
- 0
- 2
- -1
- -2
- -2
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