DAEF#AE Guitar Tuner
DAEF#AE | DAEG♭AE Open Dmaj9 - Guitar tuning, chords & scales
A Deep Dive into the Open Dmaj9 Tuning
This intriguing tuning, aptly named Open Dmaj9, transforms your guitar into a rich, resonant soundscape. It's designed to provide a full D major ninth chord simply by strumming the open strings, making it an excellent choice for players seeking immediate harmonic depth and unique textural possibilities.
Verbal Analysis: The Sound and Feel
Imagine strumming your guitar and immediately hearing a lush, expansive Dmaj9 chord ring out. That's the essence of this tuning. The open strings create a warm, enveloping sound, perfect for ambient soundscapes, intricate fingerstyle arrangements, or powerful slide guitar work. The presence of two A notes (on the 5th and 2nd strings) and two E notes (on the 4th and 1st strings) provides beautiful resonance and natural drone capabilities, allowing melodies to soar over a sustained harmonic bed. This tuning is designed to inspire, making complex-sounding chords easily accessible and encouraging creative exploration outside of standard shapes.
Technical Analysis: The Chordal Structure
The open notes for this tuning, from low to high, are:
- String 6 (low E): D2 (Root)
- String 5 (A): A2 (Perfect 5th)
- String 4 (D): E3 (Major 9th)
- String 3 (G): F#4 (Major 3rd)
- String 2 (B): A3 (Perfect 5th)
- String 1 (high E): E4 (Major 9th)
Stacked together, these notes (D, A, E, F#, A, E) clearly form a D major ninth chord (D - F# - A - E). The strategic placement of the 9th (E) on both the 4th and 1st strings, combined with the root (D) and fifth (A) on the lower strings, gives this tuning its characteristic open and full sound. The repeated A and E notes across different octaves contribute significantly to its harmonic richness and sustain.
Chordal Opportunities
This Open Dmaj9 tuning unlocks a range of chordal possibilities:
- Open Dmaj9: Strumming all open strings immediately gives you a rich D major ninth chord, serving as a fundamental, resonant home base.
- Barre Chords: By simply barring all strings across any fret, you can easily transpose the Dmaj9 chord. For example, barring at the 2nd fret yields an Emaj9, the 3rd fret an Fmaj9, and the 5th fret a Gmaj9. This makes modulation simple and intuitive across the fretboard.
- Drone & Pedal Tones: The repeated A and E notes across octaves provide excellent opportunities for creating sustained drone effects or pedal tones, particularly effective in ambient, folk, or blues styles.
- Sus2 and Sus4 Variations: With the 9th (E) already present, manipulating the 3rd string (F#4) can easily lead to suspended chords. For instance, fretting it at the 4th fret (G4) would yield a Dsus4, offering a different harmonic color.
- Creative Voicings: Due to the unique intervals, even simple two or three-finger chord shapes will produce surprising and beautiful voicings not typically found in standard tuning. Experimentation with fretboard navigation is highly encouraged to discover new melodic and harmonic textures.
How to Tune to Open Dmaj9
To achieve the Open Dmaj9 tuning, you'll be adjusting your guitar strings from standard E-A-D-G-B-E tuning. Pay close attention to the specified semitone movements for each string.
- String 6 (Low E): From standard E2, Tune down 2 semitones to D2.
- String 5 (A): From standard A2, Keep as is; no change (0 semitones). The note remains A2.
- String 4 (D): From standard D3, Tune up 2 semitones to E3.
- String 3 (G): From standard G3, Tune down 1 semitone to F#3. (Please note: The specified target note for this string in the tuning notes is F#4, which is an octave higher than tuning down one semitone from a standard G3 string would yield. Achieving F#4 from a standard G3 string would typically imply a pre-existing higher gauge string, an octave shift not specified in the movement data, or that the 'G' string might already be tuned to a higher octave before this adjustment. Proceed with caution if aiming for F#4 from a standard G3 string.)
- String 2 (B): From standard B3, Tune down 2 semitones to A3.
- String 1 (High E): From standard E4, Keep as is; no change (0 semitones). The note remains E4.
Important Note on String Tension: Always tune your guitar carefully and gradually to avoid string breakage or damage to your instrument. While the string movements in this tuning are generally moderate, for any tuning changes exceeding 4 semitones (up or down) from standard, it is often advisable to consider using a different string gauge to ensure optimal playability and string longevity.
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Capos for DAEF#AE
Capo | Tuning | Name |
---|---|---|
-3 | BF#C#D#F#C# | Theurgist |
-2 | CGDEGD | Open Cmajor9 6 String |
-1 | C#G#D#FG#D# | Calum Graham - Waiting |
0 | DAEF#AE | Open Dmaj9 |
1 | D#A#FGA#F | D#A#FGA#F (Emelie) |
2 | EBF#G#BF# | Open E Justin Mckean |
More DAEF#AE Resources
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Songs tuned to DAEF#AE
Artist | Song | Album | Tab |
---|---|---|---|
Don Ross | Any Colour But Blue | This Dragon Won't Sleep |
Please use the below form to submit a song for DAEF#AE that is not already on gtdb.org.
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -2
- 0
- 2
- -1
- -2
- 0