DDF#AC#C# Guitar Tuner
DDF#AC#C# | DDG♭AD♭D♭ Dmaj7 - Guitar tuning, chords & scales
Dmaj7 Open Tuning: A Rich, Evocative Soundscape
This unique tuning, which we'll call the Dmaj7 Open Tuning, immediately evokes a sense of openness and harmonic richness. It's famously utilized by artists like Haley Heynderickx on her track 'The Bug Collector', where it contributes to a distinctive, ethereal sound that is both intricate and accessible.
Verbal Analysis
Imagine strumming your guitar and instantly hearing a full, shimmering D Major 7th chord. That's the magic of this tuning. The low D strings provide a solid, resonant foundation, while the high C# notes add a bright, almost choir-like quality. It's a tuning that encourages arpeggiated patterns and spacious melodies, allowing individual notes to ring out within the harmonious Dmaj7 framework. It's perfect for creating lush soundscapes, introspective folk, or dreamy indie pop, offering a unique sonic palette for composition and improvisation.
Technical Analysis
The open strings are tuned to D2, D3, F#4, A3, C#5, C#5 (from low E to high E). This arrangement perfectly outlines a D Major 7th chord (D - F# - A - C#) across its range. The interval structure from the lowest D is a Root, Root, Major 3rd, Perfect 5th, Major 7th, Major 7th. This inherent harmonic clarity makes playing in the key of D major incredibly intuitive, as many common chord shapes will naturally resolve beautifully or provide interesting dissonances against the open Dmaj7. Due to the open Dmaj7, chords that share common tones or are closely related, such as Gmaj7, Amin7, and Em7, can often be reached with minimal finger movement, either by shifting the open chord shape or by leveraging the drone-like quality of the open strings. The doubled C# on the first and second strings creates a unique resonance that can be exploited for melodic playing and allows for interesting voicings when fretting other notes on these strings, offering possibilities for both consonant and subtly dissonant harmonies.
Current Tuning Notes
- 6th String (Low E): D2
- 5th String (A String): D3
- 4th String (D String): F#4
- 3rd String (G String): A3
- 2nd String (B String): C#5
- 1st String (High E): C#5
How to Tune Your Guitar from Standard EADGBe
To achieve the Dmaj7 Open Tuning from standard EADGBe, carefully adjust each string as follows:
- 6th String (Low E to D2): Tune down 2 semitones from E. (This is a moderate adjustment.)
- 5th String (A to D3): Tune up 5 semitones from A. Caution: Tuning up 5 semitones is a significant increase in tension. A lighter gauge string is strongly advised to prevent breakage or excessive stress on your instrument.
- 4th String (D to F#4): Tune up 4 semitones from D. Caution: Tuning up 4 semitones is a substantial increase in tension. Consider using a lighter gauge string to avoid potential damage.
- 3rd String (G to A3): Tune up 2 semitones from G. (This is a moderate adjustment.)
- 2nd String (B to C#5): Tune up 2 semitones from B. (This is a moderate adjustment.)
- 1st String (High E to C#5): Tune down 3 semitones from E. (This is a moderate adjustment.)
After tuning, the open strings will collectively form a resonant D Major 7th chord.
Comments - have your say on DDF#AC#C#
Capos for DDF#AC#C#
| Capo | Tuning | Name |
|---|---|---|
| -3 | BBD#F#A#A# | Bmaj7 |
| 0 | DDF#AC#C# | Dmaj7 |
More DDF#AC#C# Resources
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -2
- 5
- 4
- 2
- 2
- -3
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