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DEADBEEF Guitar Tuner

DEADBEEF 0xDEADBEEF - Guitar tuning, chords & scales

Description - 0xDEADBEEF

Dead beef because the beef is dead.
A cheeky nod to programmers everywhere. This tuning spells trouble in hexadecimal and sounds just as off-kilter. Whether it's a glitch in the system or pure chaotic inspiration, you'll find riffs here that don't play by the rules.

The phrase "dead beef" refers to the hexadecimal number 0xDEADBEEF, which is commonly used as a magic number or marker in software development, particularly for indicating uninitialized memory or errors. It's not related to the literal meaning of "dead beef" as in spoiled meat.

Dead Beef Drop - A Glimpse into the 0xDEADBEEF Tuning

The Dead Beef Drop tuning, also known as the "0xDEADBEEF" tuning, is a truly unconventional and experimental setup designed for players who crave unique sonic textures and a departure from traditional harmony. As the name "0xDEADBEEF" suggests—a cheeky nod to programmers everywhere, often used as a debugging marker for uninitialized memory or errors—this tuning is anything but standard. It’s an auditory glitch, a chaotic inspiration that doesn't play by the rules.

Verbal Analysis

This tuning immediately presents itself as highly dissonant and expansive. The wide range of notes across the open strings, from the very low D1 to the bright F4, creates a vast soundscape. It’s not a tuning that lends itself to familiar chord shapes or easy melodic runs; instead, it encourages exploration of abstract harmonies, dramatic tension, and percussive textures. The overall feel is one of disorientation and raw, unpolished energy, perfectly embodying the "glitch in the system" aesthetic.

Technical Analysis

The open notes of this tuning are:

  • String 8: D1 (Lowest String)
  • String 7: E1
  • String 6: A1
  • String 5: D2
  • String 4: B2
  • String 3: E3
  • String 2: E4
  • String 1: F4 (Highest String)

The intervals between adjacent strings are notably irregular and wide:

  • D1 to E1: Major 2nd (2 semitones)
  • E1 to A1: Perfect 4th (5 semitones)
  • A1 to D2: Perfect 4th (5 semitones)
  • D2 to B2: Major 6th (9 semitones) - A very large jump, creating significant harmonic tension.
  • B2 to E3: Perfect 4th (5 semitones)
  • E3 to E4: Octave (12 semitones) - Another extremely wide interval, spanning a full octave on adjacent strings.
  • E4 to F4: Minor 2nd (1 semitone) - A very tight, dissonant interval at the high end.

The open strings D, E, A, D, B, E, E, F form a cluster that defies conventional categorization. While not easily yielding standard major or minor chords, the tuning does offer a rich palette for experimentation:

  • The lowest strings (D1, E1, A1, D2) hint at a suspended quality, particularly Dsus2 or Dsus4 if we were to ignore the E1 for a moment. However, the E1 creates a constant minor second tension with any D-based harmony.
  • The presence of D, E, A, B, F can be seen as a Dsus2 add6 (B) with an added minor 3rd (F) for complexity, or perhaps an A minor-ish chord (A-C-E) with added dissonances. This setup is ideal for creating expansive, open voicings that lean into dissonance and sustain, rather than tight, resolved harmonies.
  • The massive jumps between D2 and B2, and E3 and E4, make for a very "stratified" sound, allowing for distinct melodic and harmonic layers. This might lend itself well to ambient, avant-garde, or metal genres where extreme ranges and complex textures are desired.

How to Tune

Achieving the 0xDEADBEEF tuning requires significant adjustments from standard guitar tuning. Please refer to the specific movements below. For string movements exceeding 4 semitones up or down, it is highly recommended to consider using different gauge strings to prevent damage to your instrument or to achieve optimal tension and tone.

  • String 8 (Lowest): Tune down 4 semitones to D1.
  • String 7: Tune down 7 semitones to E1. (Consider a heavier gauge string for this significant drop.)
  • String 6: Tune down 7 semitones to A1. (Consider a heavier gauge string for this significant drop.)
  • String 5: Tune down 7 semitones to D2. (Consider a heavier gauge string for this significant drop.)
  • String 4: Tune down 3 semitones to B2.
  • String 3: Tune down 3 semitones to E3.
  • String 2: Tune up 5 semitones to E4. (Consider a lighter gauge string for this significant raise.)
  • String 1 (Highest): Tune up 1 semitone to F4.


String 8: Tuned to D1. (Tune down 4 semitones)

String 7: Tuned to E1. (Tune down 7 semitones)

String 6: Tuned to A1. (Tune down 7 semitones)

String 5: Tuned to D2. (Tune down 7 semitones)

String 4: Tuned to B2. (Tune down 3 semitones)

String 3: Tuned to E3. (Tune down 3 semitones)

String 2: Tuned to E4. (Tune up 5 semitones)

String 1: Tuned to F4. (Tune up 1 semitones)

D
E
A
D
B
E
E
F

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Capos for DEADBEEF

Capo Tuning Name
0 DEADBEEF 0xDEADBEEF

Scales for DEADBEEF

A A# B C C# D

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            ___________
           q o       o p
           q o   G   o p
           d o   T   o b
           q o   D   o p
           q o   B   o p
           d o       o b
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            |=========|
            |!!!!!!!!!|
            |!!!!!!!!!|
            |!!!!!!!!!|              ____    ______  ____    ____
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            |!!!!!!!!!|             \ \ \L\_\/_/\ \/\ \ \/\ \ \ \L\ \
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         .+=|!!!!!!!!!|--.`.          \ \ \/, \ \ \ \ \ \ \_\ \ \ \L\ \
       .'   |!!!!!!!!!|   `.\          \ \____/  \ \_\ \ \____/\ \____/
      /     !=========!     \\          \/___/    \/_/  \/___/  \/___/
      |    /|!!!!!!!!!|\    ||
       \   \!!!!!!!!!!!/   //
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      .'    !!!!!!!!!!!    `..
     /      !!!!!!!!!!!      \\
    |       !!!!!!!!!!!       ||
    |       !!!!!!!!!!!       ||
    |       !!!!!!!!!!!       ||
     \     =============     //
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 & warm `-._____________.-'
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