Verbal Analysis: Drop Dead

The 'Drop Dead' tuning, as its creator notes, is designed to achieve a "pretty droning sound." This is immediately evident in the abundance of D notes across the fretboard, particularly the low D (D2) on the 6th string and the unison D's (D4) on the 1st and 2nd strings. This creates a rich, resonant foundation that indeed lends itself to a powerful, sustained drone. The overall feel is deep and somewhat dark, perfect for heavy rock, metal, or atmospheric soundscapes where a consistent, driving root note is desired.

The unexpected E3 on the 5th string introduces a unique tension. While most of the tuning reinforces a D tonality, this E acts as a vibrant major second (or add9), preventing the open strings from simply resolving to a straightforward D major or minor. This tension adds a layer of complexity and an almost mournful or questioning quality when all strings are strummed together, contributing to a distinctive and memorable sound.

Technical Analysis: Drop Dead

This tuning departs significantly from standard EADGBe. The open notes are D2 E3 A2 D3 D4 D4. Analyzing the intervals relative to the lowest D note (D2):

• 6th String (D2): Root
• 5th String (E3): Major 9th above D2. This is the primary source of tension and harmonic interest.
• 4th String (A2): Perfect 5th above D2. This firmly establishes the D tonic.
• 3rd String (D3): Octave above D2. Reinforces the root.
• 2nd String (D4): Double Octave above D2. Adds brilliance and fullness to the root.
• 1st String (D4): Unison with the 2nd string. Creates a thick, ringing top end for the root.

The tuning's structure is D-E-A-D-D-D. This can be technically identified as a D(add9) chord, with the E being the added 9th and the lack of a major or minor third allowing for a suspended-like quality. The arrangement of intervals, particularly the stacked D octaves and the prominent perfect fifth (A2), provides immense power and sustain for riffs centered around D.

Chords & Musicality

The 'Drop Dead' tuning offers unique harmonic possibilities:

• Open Strum: Playing all open strings produces a rich D(add9) sound (D-E-A-D-D-D). The E3 creates a distinctive, slightly melancholic or yearning quality, making it less of a simple power chord and more of an expansive, atmospheric voicing.
• Power Chords: By simply muting or avoiding the 5th string (E3), a powerful D5 chord (D-A-D-D-D) can be easily achieved across strings 6, 4, 3, 2, 1. Barre chords can be formed on any fret to create power chords based on the D-A-D structure, offering a versatile platform for heavy riffs. For example, a barre on the 3rd fret (playing strings 6, 4, 3, 2, 1) would yield an F5 chord.
• Droning Leads: The stacked D's and the low D make this tuning ideal for single-note lines and melodies that can ring out against a sustained D drone. The E3 can be used judiciously for passing tones or specific harmonic colors.
• Melodic Potential: The open E3 against the D drone can be exploited for interesting melodic phrases, allowing for movement between the D and E notes, creating a modal feel.

How to Tune

To achieve the 'Drop Dead' tuning from standard EADGBe, follow these steps:

• String 6 (Low E): Tune down 2 semitones to D2.
• String 5 (A): Tune up 7 semitones to E3. Caution: This is a significant increase in tension. Consider using a lighter gauge string if your current A string feels too tight or is prone to breaking.
• String 4 (D): Tune down 5 semitones to A2. Caution: This is a significant decrease in tension and may result in a floppier string feel.
• String 3 (G): Tune down 5 semitones to D3. Caution: Similar to string 4, this is a significant decrease in tension.
• String 2 (B): Tune up 3 semitones to D4. Take care when tuning up this much to avoid string breakage.
• String 1 (High E): Tune down 2 semitones to D4.

Given the substantial changes on strings 5, 4, and 3, it is highly recommended to check intonation after tuning and potentially adjust your guitar's setup for optimal playability and sound quality in this specific tuning.