Tuning Overview: D-Rem

The D-Rem tuning is a deeply resonant and atmospheric open tuning, perfectly suited for acoustic and classical guitars. As its creator suggests, it invites experimentation, particularly using the lower strings (6th, 5th, and 4th) as rich drone notes. When gently strumming the treble side of the fingerboard, this tuning truly shines, producing a haunting, open sound with a lush harmonic quality.

Technical Analysis

This tuning, with its open notes of D2, F#3, B2, F#4, A3, C#5, creates a broad sonic landscape. The repeated F# (on the 5th and 3rd strings) and the lower D and B notes establish a strong tonal center. The overall character leans towards a rich D major tonality with added depth and complexity. When strummed open, the tuning suggests a D major 7th chord with an added 6th (D-F#-A-C#-B), or even hints of a D Lydian mode, providing a bright yet introspective quality.

Open Chords and Possibilities

The open strings themselves form a beautiful and complex sonority. The lower three strings (D-F#-B) instantly outline a B minor triad (B-D-F#) or a D major triad (D-F#-A) if you add an A note on the 4th string at the 2nd fret, making common D major shapes very accessible. The upper three strings (F#-A-C#) cleanly form an F# minor triad, which adds a melancholic yet complementary flavor to the overall sound. This combination makes it easy to explore fingerstyle arrangements that weave between these harmonic centers, offering a wide array of expressive possibilities.

How to Tune Your Guitar for D-Rem

Please follow these instructions carefully. Note that all strings are tuned down from standard EADGBe. While all movements are within a reasonable range, always listen carefully and tune slowly to avoid string breakage or damage to your instrument.

• 6th String (Low E): Tune down 2 semitones to D2.
• 5th String (A): Tune down 3 semitones to F#3.
• 4th String (D): Tune down 3 semitones to B2.
• 3rd String (G): Tune down 1 semitone to F#4.
• 2nd String (B): Tune down 2 semitones to A3.
• 1st String (High E): Tune down 3 semitones to C#5.

Most of these downward tunings are moderate, but if you find yourself frequently changing to tunings with string movements exceeding 4 semitones up or down, considering a different gauge of string might be beneficial for optimal performance and string longevity.

6th String: D2

5th String: F#3

4th String: B2

3rd String: F#4

2nd String: A3

1st String: C#5