DF#BF#A#C# Guitar Tuner
DF#BF#A#C# | DG♭BG♭B♭D♭ D F# B F# A# C# Midwest Emo - Guitar tuning, chords & scales
Tuning Analysis: D F# B F# A# C# Midwest Emo
This intriguing tuning, aptly named "D F# B F# A# C# midwest emo," is a thoughtful derivation from the "B F# B F# A# C#" tuning, specifically crafted to resonate with the distinctive sound of midwest emo music. It offers a rich, complex harmonic landscape perfect for intricate arpeggios, shimmering open chords, and emotionally resonant melodies, characteristic of the genre's often melancholic yet intricate soundscapes.
Technical Breakdown:
- Open String Harmony: The open strings, from low to high (D2, F3#, B2, F4#, A4#, C5#), form a vibrant and unique chord. Analytically, arranging the unique pitches in an octave yields D, F#, A#, B, C#. This creates a complex harmony that can be interpreted as a D Augmented Major 7 chord (D-F#-A#-C#) with an added B (the major 6th). This specific voicing, Dmaj7#5(add6), is very rich, blending bright major qualities, the tension of an augmented 5th, and the sweetness of a major 6th, offering a broad palette for emotional expression and intricate musical lines often found in midwest emo.
- Voicing and Playability: The low D2 provides a deep, foundational bass, creating a broad harmonic canvas. The repeated F# (on the 5th and 3rd strings) creates interesting sympathetic resonances and allows for rich voicings with relatively simple finger positions. The upper three strings (F4#, A4#, C5#) form an F# Major arpeggio, making it easy to construct bright, ringing major chords and melodies on the higher register. The significant downtuning across all strings (the most extreme being 3 semitones down) generally makes the strings feel looser, facilitating easier bends and expressive vibrato, while also encouraging a lighter touch for clean arpeggiated passages.
- Chordal Opportunities: Due to its unique intervallic structure, this tuning naturally lends itself to chords like D Augmented, F# Major, and B minor-major 7. Experimentation with open string drones and moving a single finger across the fretboard will yield many beautiful and unexpected harmonic clusters, ideal for the arpeggiated styles prevalent in midwest emo. Shapes that outline major 3rds and augmented intervals will be particularly accessible, allowing players to easily discover complex harmonies that sound both fresh and emotionally resonant.
How to Tune:
To achieve the "D F# B F# A# C# midwest emo" tuning, adjust your guitar strings from standard E Standard tuning as follows:
- 6th String (Low E): Tune down 2 semitones to D2.
- 5th String (A): Tune down 3 semitones to F3#.
- 4th String (D): Tune down 3 semitones to B2.
- 3rd String (G): Tune down 1 semitone to F4#.
- 2nd String (B): Tune down 1 semitone to A4#.
- 1st String (High E): Tune down 3 semitones to C5#.
Note: All strings are tuned down, with the maximum individual string movement being 3 semitones. This generally falls within a safe range for standard gauge strings, but always tune carefully and be mindful of your guitar's tension. For tunings involving more extreme movements (exceeding 4 semitones up or down for any individual string), a different string gauge might be advised to ensure optimal playability and string longevity.
6th String: D2
5th String: F3#
4th String: B2
3rd String: F4#
2nd String: A4#
1st String: C5#
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Capos for DF#BF#A#C#
| Capo | Tuning | Name |
|---|---|---|
| 0 | DF#BF#A#C# | D F# B F# A# C# Midwest Emo |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -2
- -3
- -3
- -1
- -1
- -3
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