DGBEADGBE Guitar Tuner
DGBEADGBE G6/9 - Guitar tuning, chords & scales
The G6/9 Open Tuning for 9-String Guitar
This distinctive G6/9 tuning for a 9-string guitar transforms the instrument into a rich, harmonically complete soundscape. Designed as an open tuning, strumming all open strings yields a full G6/9 chord, making it an immediate source of musical inspiration for genres like blues, folk, rock, and slide guitar where resonant open voicings are highly valued.
The tuning's design emphasizes musicality, with its description highlighting its core principle: "Maintaining the 3rd from G to B." This is a key feature, establishing strong G major tonality and providing a consistent melodic and harmonic framework.
Technical Analysis:
The open notes for this 9-string tuning are D1 G1 B1 E2 A2 D3 G3 B3 E4. These notes collectively form a G6/9 chord, comprising the root (G), major third (B), perfect fifth (D), major sixth (E), and major ninth (A), spread across multiple octaves.
- Open Chord Voicing: The most striking feature is the immediate G6/9 chord created by the open strings. This allows for rich, complex harmonies with minimal effort, perfect for sustained drones or rhythmic accompaniment.
- Interval Structure: The tuning features consistent Perfect Fourths (D1-G1, B1-E2, E2-A2, A2-D3, D3-G3, B3-E4) interspersed with Major Thirds (G1-B1, G3-B3). This blend of wide and narrower intervals provides both power and melodic fluidity, particularly around the G and B strings.
- Chordal Accessibility: Beyond the open G6/9, this tuning simplifies the playing of various G-family chords (G major, G6, G9, Gsus4) as many common shapes will align intuitively with the open string intervals. Barre chords across certain frets can quickly yield other related major or minor chords, transforming the entire fretboard into an accessible harmonic canvas.
- Pentatonic Patterns: As noted in its description, this tuning "Allows for existing pentatonic patterns to be used." While the lower strings contribute to the open chord, the repeating P4 and M3 intervals on the higher strings mean that established scale shapes, especially G major pentatonic or related minor pentatonic scales, will either remain familiar or be easily adaptable, particularly for lead lines and improvisation in the higher registers.
This G6/9 tuning offers a compelling platform for players seeking an expansive harmonic palette and simplified chord voicings, encouraging creative exploration and a full-bodied sound.
Tuning Notes Overview
Here are the specific notes for each string of your 9-string guitar in G6/9 tuning, ordered from the lowest (String 9) to the highest (String 1) pitch:
- String 9: D1 (Lowest pitch)
- String 8: G1
- String 7: B1
- String 6: E2
- String 5: A2
- String 4: D3
- String 3: G3
- String 2: B3
- String 1: E4 (Highest pitch)
How to Tune Your Guitar to G6/9
To achieve the G6/9 tuning, follow these precise adjustments for each string, targeting the specified final note. Always tune carefully and in small increments.
- String 9 (D1): Tune up 1 semitones.
- String 8 (G1): Tune up 1 semitones.
- String 7 (B1): Keep as is; no change (0 semitones).
- String 6 (E2): Keep as is; no change (0 semitones).
- String 5 (A2): Keep as is; no change (0 semitones).
- String 4 (D3): Keep as is; no change (0 semitones).
- String 3 (G3): Keep as is; no change (0 semitones).
- String 2 (B3): Keep as is; no change (0 semitones).
- String 1 (E4): Keep as is; no change (0 semitones).
Important Note on String Gauge: When tuning strings up or down by more than 4 semitones (either positively or negatively), it is generally recommended to consider using a different string gauge to avoid excessive tension or slack, which can affect playability and string longevity. For this particular G6/9 tuning, the adjustments are minor (only 1 semitone up on two strings), so standard gauges should be suitable for most players.
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Capos for DGBEADGBE
Capo | Tuning | Name |
---|---|---|
0 | DGBEADGBE | G6/9 |
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Tuning Map
- Fret
- S9
- S8
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- C
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- C#
- F#
- B
- E
- A
- D
- G
- B
- E
- -11
- D
- G
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- D#
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- E
- A
- D
- G
- C
- F
- A#
- D
- G
- -8
- F
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- F#
- B
- E
- A
- D
- G
- C
- E
- A
- -6
- G
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- G#
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -4
- A
- D
- G
- C
- F
- A#
- D#
- G
- C
- -3
- A#
- D#
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- B
- E
- A
- D
- G
- C
- F
- A
- D
- -1
- C
- F
- A#
- D#
- G#
- C#
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- D#
- 0
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- B
- E
- A
- D
- G
- B
- E
- 1
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- G
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- C
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- 2
- D#
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- B
- E
- A
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- 3
- E
- A
- D
- G
- C
- F
- A#
- D
- G
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- F
- A#
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- C#
- F#
- B
- D#
- G#
- 5
- F#
- B
- E
- A
- D
- G
- C
- E
- A
- 6
- G
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- G#
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- B
- E
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