DGCGCE Guitar Tuner
DGCGCE Cadd9 - Guitar tuning, chords & scales
Verbal Analysis: The Resonant Cadd9
This unique tuning, aptly named Cadd9, transforms your guitar into a deeply resonant instrument, ideal for the 'Fingerstyle instrumental guitar work' it was designed for. By opening the strings to D-G-C-G-C-E, you unlock a rich harmonic landscape dominated by the C major tonality with the added warmth and complexity of the 9th (D). The open strings themselves form a complete Cadd9 chord (C-E-G-D), allowing for immediate, full-bodied strumming or delicate arpeggiation without fretting a single note. This inherent open chord creates a powerful, sympathetic resonance across the instrument, making it incredibly forgiving and sonically rich. Musicians will find this tuning inspiring for creating lush soundscapes, sustained drones, and intricate melodic lines that shimmer with natural harmonics.
While familiar open chords from standard tuning will be completely revoiced or rendered inaccessible, this tuning encourages exploration of new, unique chord shapes. Simple one- or two-finger voicings can yield complex and beautiful harmonic results, especially when utilizing the open strings as pedal tones or drones. It's particularly well-suited for slide guitar, where the consistent open tonality can be easily glided across the fretboard to produce soaring melodies and full chordal slides. The repeated G and C notes across different octaves provide a solid foundation for melodic embellishment and creating expansive voicings.
Technical Analysis: Unpacking the D-G-C-G-C-E Structure
The open string notes for this tuning are D2, G2, C3, G3, C4, and E4, from the lowest (6th) to the highest (1st) string. This configuration represents a significant departure from standard EADGBe tuning:
- The 6th string (normally Low E) is tuned down a whole step (2 semitones) to D2.
- The 5th string (normally A) is tuned down a whole step (2 semitones) to G2.
- The 4th string (normally D) is tuned down a whole step (2 semitones) to C3.
- The 3rd string (G) remains at its standard pitch of G3.
- The 2nd string (normally B) is tuned up a semitone to C4.
- The 1st string (High E) remains at its standard pitch of E4.
The intervallic structure between adjacent strings is as follows:
- 6th to 5th (D2-G2): Perfect 4th (+5 semitones)
- 5th to 4th (G2-C3): Perfect 4th (+5 semitones)
- 4th to 3rd (C3-G3): Perfect 5th (+7 semitones)
- 3rd to 2nd (G3-C4): Perfect 4th (+5 semitones)
- 2nd to 1st (C4-E4): Major 3rd (+4 semitones)
This tuning strategically stacks the notes of a Cadd9 chord (C-E-G-D) across the open strings. The presence of duplicated notes (G2/G3 and C3/C4) at different octaves, along with the E4 and D2, provides a rich harmonic foundation. This creates a powerful, open voicing that resonates beautifully, making it particularly suitable for the genre described.
Open Tuning Notes:
String 6: D2
String 5: G2
String 4: C3
String 3: G3
String 2: C4
String 1: E4
How to Tune Your Guitar:
To achieve the Cadd9 tuning from standard E-A-D-G-B-E, follow these steps for each string:
- String 6 (Low E): Tune down 2 semitones to D2.
- String 5 (A): Tune down 2 semitones to G2.
- String 4 (D): Tune down 2 semitones to C3.
- String 3 (G): Keep as is; no change (0 semitones) from G3.
- String 2 (B): Tune up 1 semitone to C4.
- String 1 (High E): Keep as is; no change (0 semitones) from E4.
Important Note on String Tension: When tuning strings significantly outside their standard range (typically exceeding negative 4 or positive 4 semitones from their original pitch), a different gauge string is generally advised to maintain optimal playability, tension, and string longevity. For this specific Cadd9 tuning, all string movements are within these safe limits, making it suitable for most standard light or medium gauge string sets without immediate concern for excessive tension or slack.
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
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- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -2
- -2
- -2
- 0
- 1
- 0