Verbal Analysis

This is a rich and resonant open tuning, specifically a modified variant of the popular Open D tuning. The open strings are set to D-G-D-F#-G-G, creating a vibrant sonic landscape. As the original description suggests, this tuning is used to play along with Big Thief's "Mythological Beauty," hinting at its suitability for atmospheric, melodic, and possibly drone-like playing styles often associated with indie folk and alternative rock.

The arrangement of notes allows for a full, open sound, making it ideal for slide guitar, fingerstyle, or simply strumming to create a broad, resonant texture. The presence of two G strings (G2 and G4) and two D strings (D2 and D3) provides natural octave relationships and opportunities for sympathetic resonance, adding depth and sustain to your playing.

Technical Analysis

The open notes for this tuning are D2, G2, D3, F#4, G3, G4 (from low E to high E string). This configuration strongly outlines a D major tonality, with the F#4 on the third string being the crucial major third. The two G notes (G2 and G4) function as a perfect fourth relative to the D root, creating a distinctive Dsus4 quality while still retaining the major third. This gives the tuning a unique blend of major harmony with an open, suspended feel.

When strumming all open strings, you will hear a Dsus4 chord, or more accurately, a D major chord with an emphasis on the G note (D-F#-G). This makes it very easy to create full-sounding chords with minimal finger movement. Barring across all strings at any fret will instantly yield a major chord in that key. For example, barring at the 1st fret will produce an Eb major chord, and at the 2nd fret, an E major chord, and so on.

The proximity of the G3 and G4, and D2 and D3 strings allows for interesting drone effects and harmonic interplay, particularly suited for intricate fingerpicking patterns or creating lush soundscapes.

How to Tune Your Guitar to Open D (Mythological Beauty)

Please follow these instructions carefully. Standard guitar tuning is EADGBe.

• 6th String (Low E): Tune down 2 semitones from E2 to D2. This is a common adjustment for Open D tunings.
• 5th String (A): Tune down 2 semitones from A2 to G2. This is also a standard move for Open D variants.
• 4th String (D): Keep as is; no change (0 semitones) from D3 to D3. Your D string remains its standard pitch.
• 3rd String (G): Tune down 1 semitone from G3 to F#4. This subtle adjustment gives the tuning its distinct D major character.
• 2nd String (B): Tune down 4 semitones from B3 to G3.
• 1st String (High E): Tune up 3 semitones from E4 to G4. Take Care: Tuning up 3 semitones puts increased tension on the string. Tune slowly and carefully to avoid string breakage.