D#A#DGA#D# Guitar Tuner
D#A#DGA#D# | E♭B♭DGB♭E♭ Open Ebmaj7 (CORRECT) - Guitar tuning, chords & scales
Verbal Analysis
Welcome to the beautiful world of Open Ebmaj7 tuning! This exquisite setup immediately conjures a lush, dreamy soundscape, making it perfect for ambient compositions, jazz-infused textures, or any style where rich, complex harmonies are desired. When strummed open, your guitar will resonate with a full Eb Major Seventh chord, offering a surprisingly sophisticated and inspiring foundation for your music. It's an intuitive tuning for exploring unique melodic lines and arpeggios that would be far more challenging in standard tuning.
Technical Analysis
The Open Ebmaj7 tuning sets your guitar strings to D#3 (Eb3), A#3 (Bb3), D3, G3, A#4 (Bb4), and D#5 (Eb5) from low to high. This specific arrangement is carefully crafted to spell out an Ebmaj7 chord (Eb, G, Bb, D) across all open strings. The distribution of notes provides a wide voicing: the lower strings anchor the root (Eb) and fifth (Bb), the middle strings introduce the seventh (D) and third (G), and the higher strings repeat the fifth (Bb) and root (Eb) in higher octaves.
This open chord structure makes barre chords incredibly effective. Simply barring across any fret will yield a new Major Seventh chord (e.g., 1st fret gives Emaj7, 3rd fret gives Gmaj7). The inherent harmony also facilitates easy access to related chords such as Cm7 (C minor seventh) or Gm7 (G minor seventh) with minimal finger movements, as many of their constituent notes are already present or a short reach away. It's a fantastic tuning for songwriters looking to break free from traditional chord shapes and discover new harmonic possibilities.
How to Tune Your Guitar to Open Ebmaj7
To achieve the Open Ebmaj7 tuning from standard E-A-D-G-B-E, follow these precise string adjustments:
- String 6 (Low E): Tune down 1 semitone to D#3 (Eb3).
- String 5 (A): Tune up 1 semitone to A#3 (Bb3).
- String 4 (D): Keep as is; no change, remains D3.
- String 3 (G): Keep as is; no change, remains G3.
- String 2 (B): Tune down 1 semitone to A#4 (Bb4).
- String 1 (High E): Tune down 1 semitone to D#5 (Eb5).
Note on String Gauges: All adjustments for this tuning are minor (within +/- 1 semitone). This means your standard string gauges will be perfectly suitable, and there's no need to consider a different gauge for optimal playability or string tension.
String 6 (Low E): Tuned to D#3 (Eb3).
String 5 (A): Tuned to A#3 (Bb3).
String 4 (D): Tuned to D3.
String 3 (G): Tuned to G3.
String 2 (B): Tuned to A#4 (Bb4).
String 1 (High E): Tuned to D#5 (Eb5).
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Capos for D#A#DGA#D#
| Capo | Tuning | Name |
|---|---|---|
| -1 | DAC#F#AD | Dac#f#ad |
| 0 | D#D#A#DGA#D# | Open Ebmaj7 |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -1
- 1
- 0
- 0
- -1
- -1
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