D#A#D#A#A#D# Guitar Tuner
D#A#D#A#A#D# | E♭B♭E♭B♭B♭E♭ Malcolm - Guitar tuning, chords & scales
Verbal Analysis
Inspired by the original description, "I don't know how this happened but it sounds cool, you're welcome," this tuning indeed possesses a unique and captivating sonic character. Malcolm's Drone D# is a powerful and resonant tuning that evokes a sense of grandeur and mystery. With its open D# and A# notes ringing out, it creates a thick, almost orchestral drone that is perfect for expansive soundscapes, heavy riffs, or atmospheric pieces. The repeated fifths and octaves lend it a robust, driving feel, making it incredibly satisfying for open strumming and slide guitar. It invites experimentation and allows for a surprisingly rich tapestry of sounds to emerge with minimal effort. Think of it as a launching pad for big, bold ideas, with a slightly raw and untamed edge.
Technical Analysis
The open tuning for Malcolm's Drone D# is D#3 A#3 D#4 A#4 A#4 D#5, moving from the lowest to the highest string. This configuration is essentially an open D# Power Chord (D#5), but with an incredibly rich voicing due to the strategic doubling of both the root (D#) and the perfect fifth (A#) across multiple octaves.
- Root and Fifth Focus: The tuning heavily emphasizes the root (D#) and its perfect fifth (A#), creating a strong, foundational harmony that feels both stable and immense.
- Interval Structure: Relative to the lowest D# (String 6), the tuning provides:
- String 6: D# (Root)
- String 5: A# (Perfect Fifth)
- String 4: D# (Octave of Root)
- String 3: A# (Octave of Perfect Fifth)
- String 2: A# (Unison with String 3, another Octave of Perfect Fifth)
- String 1: D# (Octave of Root)
- Open Chord Potential:
- Open Strum: An open strum across all six strings yields a monumental D#5 power chord. This chord is exceptionally full and resonant, perfect for heavy rhythm, drone passages, or powerful introductions.
- Barre Chords: Due to the consistent Root-Fifth-Octave-Fifth-Fifth-Octave interval structure, simply barring across any single fret creates an instant power chord (e.g., barring at the 1st fret yields an E5, 2nd fret an F5, etc.). This makes moving around the fretboard for power chord progressions incredibly intuitive and efficient.
- Drone and Modal Play: The open, resonant nature of D# and A# lends itself perfectly to drone-based music, allowing for melodic exploration within scales like D# minor pentatonic, D# major pentatonic, or even modes like Phrygian dominant played against the sustained open strings.
How to Tune Malcolm's Drone D#
To achieve the Malcolm's Drone D# tuning from standard E A D G B E tuning, follow these precise string adjustments. The target notes are D#3 A#3 D#4 A#4 A#4 D#5, assuming a standard guitar's E string is E3, A is A3, D is D4, G is G4, B is B4, and high E is E5.
- String 6 (Low E): Tune down 1 semitone (E3 to D#3). This minor adjustment adds depth to the lowest note.
- String 5 (A): Tune up 1 semitone (A3 to A#3). A slight increase in tension to establish the perfect fifth.
- String 4 (D): Tune up 1 semitone (D4 to D#4). Another minor adjustment, bringing this string up to an octave of the low D#.
- String 3 (G): Tune up 3 semitones (G4 to A#4). While generally safe, this represents a notable increase in pitch and tension for a standard G string. Always tune slowly and monitor your string's tension carefully.
- String 2 (B): Tune down 1 semitone (B4 to A#4). A subtle drop to complete the powerful fifth harmony.
- String 1 (High E): Tune down 1 semitone (E5 to D#5). This final adjustment brings the highest string into an octave of the root, completing the full, resonant D# power chord.
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Capos for D#A#D#A#A#D#
Capo | Tuning | Name |
---|---|---|
-7 | G#D#G#D#D#G# | G# D# G# D# D# G# |
-6 | AEAEEA | Power A |
-4 | BF#BF#F#B | Power B |
-3 | CGCGGC | Ben Howard |
-2 | C#G#C#G#G#C# | Kelly Open C# |
-1 | DADAAD | Blixa Bargeld |
0 | D#A#D#A#A#D# | Malcolm |
1 | EBEBBE | Ebebbe |
2 | FCFCCF | FCFCCF |
4 | GDGDDG | GDGDDG |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -1
- 1
- 1
- 3
- -1
- -1