D#A#D#GCF Guitar Tuner
D#A#D#GCF | E♭B♭E♭GCF Dropped D, F# Without Capo - Guitar tuning, chords & scales
This unique tuning, drawing inspiration from the ethereal soundscapes favored by artists like José González (particularly referencing his song 'Heartbeats'), offers a rich and contemplative sonic experience. It moves away from conventional structures to unlock new harmonic possibilities for fingerstyle and atmospheric playing. The tuning establishes a strong low-end foundation while introducing intriguing melodic and suspended qualities in the higher registers, creating a sound that is both resonant and subtly complex.
Technically, the open notes are D#3, A#3, D#4, G3, C4, F4. The tuning is significantly centered around D#, featuring a robust D# power chord (D#-A#-D#) across the bottom three strings (6th, 5th, and 4th). This provides a deep, sustained drone that anchors the harmony. Analyzing the intervals from the lowest D# (String 6), we find D# (root), A# (perfect 5th), D# (octave), G (major 3rd), C (minor 7th), and F (minor 3rd or flattened 9th). This creates a complex, open chord that isn't a standard triad, leaning towards a D# Major 7 with an added F, resulting in a harmonically rich and slightly dissonant, suspended quality perfect for creating evocative soundscapes.
From a playability perspective, this tuning opens up a new world of voicings. The prominent D# and A# make for easily accessible droning bass notes that can underpin intricate melodies. While traditional chord shapes will need to be re-imagined, the arrangement of the higher strings (G, C, F) facilitates the creation of open string suspended chords such as Gsus2 (G, C, D) or Fsus2 (F, G, C) with minimal fretting, ideal for arpeggiated patterns. The string movements are all within a single semitone (up or down), meaning a standard set of guitar strings will be perfectly suitable, with no concerns about excessive tension or looseness, ensuring comfortable playability.
How to Tune:
- String 6 (Lowest String): Starting from E3, tune down 1 semitone to achieve D#3.
- String 5: Starting from A3, tune up 1 semitone to achieve A#3.
- String 4: Starting from D4, tune up 1 semitone to achieve D#4.
- String 3: Starting from G3, keep as is; no change (0 semitones) to maintain G3.
- String 2: Starting from B3, tune up 1 semitone to achieve C4.
- String 1 (Highest String): Starting from E4, tune up 1 semitone to achieve F4.
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Capos for D#A#D#GCF
Capo | Tuning | Name |
---|---|---|
-5 | A#FA#DGC | Middle Eastern-Style Tuning For Metal |
-4 | BF#BD#G#C# | Half Step Cgcead |
-3 | CGCEAD | CGCEAD |
-2 | C#G#C#FA#D# | C# Jank |
-1 | DADF#BE | D6/9 |
0 | D#A#D#GCF | Dropped D, F# Without Capo |
1 | EBEG#C#F# | VERSIONS Tuning |
3 | F#C#F#A#D#G# | Jank Versace Summer |
4 | GDGBEA | Capo 5 For DADF#BE |
More D#A#D#GCF Resources
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Songs tuned to D#A#D#GCF
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -1
- 1
- 1
- 0
- 1
- 1