D#CA#D#CD# Guitar Tuner
D#CA#D#CD# | E♭CB♭E♭CE♭ Not Quite Useful - Guitar tuning, chords & scales
This unique tuning, which we've named "Somber Cm7 Open," evokes a deeply melancholic, bluesy, or even mysterious atmosphere. It's a non-standard open tuning that offers a rich harmonic canvas, particularly well-suited for drone-based compositions, modal explorations, or fingerstyle pieces where conventional chord shapes are less of a priority.
Technical Analysis
The open strings are tuned to D#3 (Eb3), C3, A#3 (Bb3), D#4 (Eb4), C4, D#5 (Eb5). When arranged from lowest to highest unique pitch, the core notes present are C, Eb, and Bb. This combination forms a C minor triad (C-Eb) with an added flattened seventh (Bb), effectively creating a C minor seventh chord missing its perfect fifth (G).
The interval structure from the lowest C3 (on the 5th string) reveals:
- String 5 (C3): Root
- String 6 (D#3/Eb3): Minor Third above C3
- String 4 (A#3/Bb3): Flattened Seventh above C3
- String 2 (C4): Octave above C3
- String 3 (D#4/Eb4): Octave plus a Minor Third above C3
- String 1 (D#5/Eb5): Two Octaves plus a Minor Third above C3
The prominent presence of D# (Eb) across three octaves, along with the C and Bb, creates a sound that is both full and resonant. The absence of the perfect fifth (G) lends an open, slightly suspended quality, providing ample space for melodic improvisation and a distinct sonic identity. This tuning will challenge traditional chord voicings but reward experimentation with unique harmonies and textures, making it ideal for experimental, blues, or ambient genres.
Chords and Voicings
- Open Strings: The tuning itself presents a ready-made Cm7 (no5) chord, excellent for resonant drones or a foundation for modal melodies.
- Chromatic Shifts: Moving all strings up or down by a fret will maintain the Cm7 (no5) quality, allowing for easy transposition of the core voicing. For example, fretting all strings at the 1st fret would yield an F minor 7 (no5).
- Exploratory Voicings: Due to its non-standard nature, traditional chord shapes will need significant adaptation. This encourages players to explore new fingerings and create unique voicings by focusing on intervals between strings rather than pre-set patterns. The open, somewhat dissonant nature can be resolved or embraced for striking harmonic effects.
How to Tune to Somber Cm7 Open
To achieve the "Somber Cm7 Open" tuning, adjust your strings as follows:
- String 6 (Low E string): Tune to D#3. This requires you to tune it down 1 semitone.
- String 5 (A string): Tune to C3. This requires you to tune it up 3 semitones.
- String 4 (D string): Tune to A#3. This requires you to tune it down 4 semitones. *Caution: A significant drop in tension.
- String 3 (G string): Tune to D#4. This requires you to tune it down 4 semitones. *Caution: A significant drop in tension.
- String 2 (B string): Tune to C4. This requires you to tune it up 1 semitone.
- String 1 (High E string): Tune to D#5. This requires you to tune it down 1 semitone.
Important Note on String Gauge: String movements exceeding -4 or +4 semitones from standard tuning can significantly impact string tension. For the 4th and 3rd strings, which are tuned down 4 semitones, we recommend considering a heavier gauge string set if you plan to use this tuning regularly. This will help maintain better intonation, playability, and prevent buzzing.
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Capos for D#CA#D#CD#
Capo | Tuning | Name |
---|---|---|
0 | D#CA#D#CD# | Not Quite Useful |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -1
- 3
- -4
- -4
- 1
- -1