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D#D#D#D#D#D# Guitar Tuner

D#D#D#D#D#D# | E♭E♭E♭E♭E♭E♭ All D# Tuning (Low D#) - Guitar tuning, chords & scales

Description - All D# Tuning (Low D#)

This tuning is just all D#'s. You can barre the entire neck.

Tuning Overview: Deep D# Unison

The "All D# Tuning (Low D#)" is an incredibly unique and powerful guitar tuning designed for heavy, drone-like sounds and effortless single-finger chord voicings. As its name suggests, every string is tuned to a D# note, spanning multiple octaves to create a massive, resonant wall of sound.

Technical Analysis

  • Instrument Type: Guitar
  • Base Concept: All strings are tuned to D#, distributed across three octaves for a full, rich sound.
  • Open String Voicing:
    • The 6th string (typically Low E) is tuned to D2#.
    • The 5th and 4th strings (typically A and D) are tuned to D3#, creating a unison pair.
    • The 3rd, 2nd, and 1st strings (typically G, B, and High E) are tuned to D4#, forming a unison triple.
  • This configuration essentially creates a powerful D# root chord when played open, emphasizing the root note with significant octave and unison reinforcement across the fretboard. It provides a vast, deep sound, ideal for heavy musical contexts.

Verbal Description & Playability

This tuning transforms the guitar into a highly specialized instrument, excelling in genres demanding a thick, resonant low end such as doom metal, drone, stoner rock, or ambient music. The most striking feature is its remarkable ease of play for certain chord types and its immense sonic presence:

  • Open Chords: The open strings themselves form a massive D# chord, ready for impactful open string riffs or percussive accents. The octaves and unisons create an immediate, dense soundscape.
  • Barre Chords: As the original description notes, "You can barre the entire neck." This is a key advantage. By simply barring any fret, you instantly create a full-sounding chord based on the note at that fret across all strings, complete with octaves and unisons. For example, barring the 1st fret gives you a full E chord, the 3rd fret gives F#, and so on. This simplifies playing power chords and allows for fluid, powerful chord changes with minimal finger movement, making it very intuitive for rhythm guitarists.
  • Melody & Lead: While primarily focused on rhythmic and harmonic texture, single-note melodies can be played with a rich, layered sound due to the octave and unison string pairings. Slide guitar would also be particularly effective in this tuning, allowing for sweeping glissandos that retain the full, resonant quality across the strings.

How to Tune

To achieve the "All D# Tuning (Low D#)" from standard EADGBe tuning, you will need to significantly detune most of your strings. Please exercise extreme caution, as many of these movements exceed the recommended range for standard gauge strings. We strongly advise considering a custom set of much heavier gauge strings for optimal performance and to prevent potential string breakage or damage to your instrument.

  • 6th String (Low E): Tune down 13 semitones to D2#. This is a very significant drop (more than a full octave), suggesting a much heavier gauge string is necessary to maintain proper tension and intonation.
  • 5th String (A): Tune down 6 semitones to D3#. This is a substantial drop. A heavier gauge string is strongly advised.
  • 4th String (D): Tune down 11 semitones to D3#. This is an extremely large drop (nearly a full octave). A significantly thicker gauge string will be required.
  • 3rd String (G): Tune down 4 semitones to D4#. This movement is at the threshold where a different string gauge is often recommended. Proceed with caution, and consider a heavier gauge.
  • 2nd String (B): Tune down 8 semitones to D4#. This is a considerable drop. A heavier gauge string is highly recommended.
  • 1st String (High E): Tune down 13 semitones to D4#. This is an extremely large drop (more than a full octave), definitely requiring a much heavier gauge string for optimal performance.

Important Note: Generally, tuning down more than 4 semitones or up more than 3-4 semitones from a string's standard note will necessitate a change in string gauge to maintain proper tension, intonation, and to prevent string damage or neck issues. For this tuning, nearly all strings fall outside this range, making a heavier gauge set almost essential.



6th String (Low E): D2#

5th String (A): D3#

4th String (D): D3#

3rd String (G): D4#

2nd String (B): D4#

1st String (High E): D4#

D#
D#
D#
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Capos for D#D#D#D#D#D#

Capo Tuning Name
0 D#D#D#D#D#D# All D# Tuning (Low D#)
7 A#A#A#A#A#A# Ostrich
9 CCCCCC Ostrich C
10 C#C#C#C#C#C# C Sharp

Scales for D#D#D#D#D#D#

A A# B C C# D

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