D#G#C#F#AD# Guitar Tuner
D#G#C#F#AD# | E♭A♭D♭G♭AE♭ D# G# C# F# A# D# - Guitar tuning, chords & scales
This distinctive tuning, inspired by Knuckle Puck's song "No Good," plunges the guitar into a deeper, more resonant soundscape. Primarily a half-step down tuning, it introduces a unique twist by dropping the second string (B) an additional semitone to A, moving from standard EADGBe to D# G# C# F# A D#. This configuration creates a heavy, dark foundation ideal for aggressive riffs and powerful chord voicings often found in punk, pop-punk, and emo genres.
Technically, the tuning features a consistent perfect fourth interval across the lower four strings (D# to G#, G# to C#, C# to F#). This uniformity is excellent for creating easily movable chord shapes and facilitating heavy, chugging rhythms, which are hallmarks of the genre. While not an open chord tuning in the traditional sense, the stable fourths on the bottom strings are superb for developing unique voicings and power chord variations. The combination of F# on the third string and A on the second string forms a minor third, offering opportunities for melancholic or bluesy melodic lines when played together. The overall lowered string tension also contributes to a thicker, more powerful tone, perfect for driving rhythm guitar.
Due to the specific string intervals, straightforward open strummed major or minor chords are not readily available. However, players will find it easy to construct power chords by fretting the lowest string (D#) and then placing fingers appropriately on the strings above. The consistent Perfect 4th intervals on the lower strings mean many shapes become easily transposable. This tuning is particularly well-suited for single-note lines, palm-muted riffs, and two or three-note power chord voicings that capitalize on the low fundamental frequencies.
How to Tune to Knuckle Puck 'No Good' Tuning:
To achieve this tuning from standard EADGBe, follow these steps for each string:
- 6th String (Low E): Tune down 1 semitone from E to D#.
- 5th String (A): Tune down 1 semitone from A to G#.
- 4th String (D): Tune down 1 semitone from D to C#.
- 3rd String (G): Tune down 1 semitone from G to F#.
- 2nd String (B): Tune down 2 semitones from B to A.
- 1st String (High E): Tune down 1 semitone from E to D#.
As all string movements are within 2 semitones, a standard set of guitar strings should handle this tuning without any issues.
6th String (Low E): D3#
5th String (A): G3#
4th String (D): C4#
3rd String (G): F4#
2nd String (B): A3
1st String (High E): D5#
Comments - have your say on D#G#C#F#AD#
Capos for D#G#C#F#AD#
| Capo | Tuning | Name |
|---|---|---|
| -1 | DGCFG#D | DGCFG#D |
| 0 | D#G#C#F#AD# | D# G# C# F# A# D# |
| 1 | EADGA#E | A# Second String Variant |
More D#G#C#F#AD# Resources
Loading an obscene
amount of Chords
Loading an obscene
amount of Scales
Songs tuned to D#G#C#F#AD#
Know a song in D#G#C#F#AD#?
Please use the below form to submit a song for D#G#C#F#AD# that is not already on gtdb.org.
Videos for D#G#C#F#AD# on
Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -1
- -1
- -1
- -1
- -2
- -1
© 2025 GTDB